Moonlight Mile | | Cast : | Jake Gyllenhaal, Dustin Hoffman, Susan Sarandon | | Director : | Brad Silberling | | Studio : | Buena Vista Home Entertainment | | Format : | Color, Closed-captioned, Widescreen, Dolby | | Released Date : | October 04, 2002 | | DVD Released Date : | February 03, 2004 | | Language : | English (Dubbed), English (Original Language), Spanish (Subtitled) | | Audience Rating : | PG-13 (Parental Guidance Suggested) | | | BUY THIS DVD FROM AMAZON | Customer Reviews
| Rating |  | | Date | August 03, 2005 | | Summary | Man or Woman | Content
 | I hated this movie, it was so boring, I hated his love interest she was too "quirky", this is a poorly written mass of bad jokes, idiotic parents and it was supposed to be in the 70's? I couldnt tell. Dustin Hoffman hasnt been in a good film since the 80's, and he is starting to look like a woman. Susan Sarandon, she is just worn out and obviously cant get any big named roles either. |
| Rating |      | | Date | October 16, 2004 | | Summary | Phenomenal soundtrack enhances the mood | Content
 | I was so intrigued by the 70's era music in this movie, that I searched for the soundtrack on the internet. Van Morrison's music adds such an effervescense to movie scenes that it just stops you in your tracks to place you in the movie's moment with the characters. Moonlight Mile is no exception. I also loved Jefferson Airplane's "Coming Back to Me" featured on this soundtrack. It helped me remember why I loved music in the 70's. I could actually envision being back there during the hippie days, wearing a long peasant dress and a peace-sign necklace, and being in love with the world...envisioning my young deceased husband silhouetted, stepping out of the shadows with backlighting, returning to me, as the song says. But then, the reviews say that Moonlight Mile will hit home with anyone who has lost a loved one. This movie is richly acted and incredibly put together. |
| Rating |    | | Date | August 31, 2004 | | Summary | I enjoyed it, overall | Content
 | The actors are terribly underdirected. Holly Hunter, as the lawyer, weirdly sports a clipped Texas accent in Marblehead, Mass, where the movie was filmed. Sarandon does a good job, but Dustin was all over the place with his character. I think the director was intimidated by him and just let him go. I thought Jake Gyllenhaal was autistic for the first half of the film. The one exception is the fantastic performance of Ellen Pompeo, as Jake's sudden new love interest.
Acting students should note her performance behind the bar the day after she and Jake make love. She is washing out glasses while grooving to a Gary Glitter tune on the jukebox. The scene is brief and she doesn't even speak, but THAT's acting. She doesn't need directing.
I really enjoyed it, but it could've been better.
|
| Rating |      | | Date | August 21, 2004 | | Summary | Brilliant Performances, Marvelous Script | Content
 | Susan Surandon, Dustin Hoffman, and Jake Gyllenhaal have truly outdone themselves. Surandon and Hoffman play grieving parents, Gyllenhaal is their would be son-in-law. Each give stellar perfomances and the script is amazing, both of which straddle the line between tragedy and comedy. As soon as a tear comes to your eye, Surandon's character Jo will blurt out a randomly brash straightforward comment that will make you laugh.
Ben (Hoffman) and Jo (Surandon) have just lost their only child, Diane, who was tragically shot in a diner. She was to be married to Joe (Gyllenhaal), who ends up staying with Ben and Jo because he has secrets that force him to believe it's the right thing to do. Then Joe meets a girl named Bertie, who helps him fish out his wedding invitations at the post office. Joe is attracted to Bertie, but he also doesn't want to hurt anyone.
The movie is a little slow, but I'm forgiving when a movie turns out to be so incredible. There were points in the movie when I had a hard time watching, just because it brings forth memories in my life which are sad, but unforgettable. As sad as I may have gotten while watching this movie, it makes me not want to forget.
I highly recommend this movie. You're getting alot out of this one movie, a great cast, great script, great direction... Definitely check it out! |
| Rating |     | | Date | June 07, 2004 | | Summary | Gyllenhaal shines-- again. | Content
 | Moonlight Mile (Brad Silberling, 2002) Brad Silberling has had a rather long and completely undistinguished Hollywood career. Aside from helming City of Angels, one of the most useless remakes of all time, he did a lot of TV work. Two words: Cop Rock. Thus, Moonlight Mile came as something of a surprise; Silberling's first truly good flick. Much of this has to do with the amazing cast. How on earth Silberling, who also wrote the autobiographical script, managed to sign such incredible talent on the strength of his previous career is utterly beyond me. But then, stranger things have happened. Joe Nast (the brilliant Jake Gyllenhaal, fresh off cult-favorites Donnie Darko and Bubble Boy) is living with the parents of his fiancee after her murder in a diner shooting (she was an innocent bystander). Her parents, Ben (Dustin Hoffman) and Jojo (Susan Sarandon) are understandably devastated, and latch onto Joe as something of a replacement kid. Joe is desperately confused about everything. Until, that is, he meets Bertie (Ellen Pompeo, recently found in Daredevil, unfortunately for her) and finds himself deeply attracted to her. Meanwhile, he's being taken on as a partner in Ben's commercial property business, which is trying to buy a bar at which Bertie moonlights, in order to pave the way for a big development envisioned by the movie's evil overlord, Mulcahey (Dabney Coleman). The parents have brought a civil suit against the shooter, and have a parasitic attorney (Holly Hunter) who's looking to make a name for herself with this case. And Joe's also holding onto his own secrets, which could send them all spinning out of control. Everyone, and I mean everyone, in this film gives a top-notch performance. Gyllenhaal's speech at the trial is almost as good as the "smurf sex" rant in Donnie Darko. Hoffman, whose career has been on a gradual downward slide for years, returns to the form that held him in such good stead before, and including, Marathon Man. Even the normally unwatchable Sarandon turns in her best performance since The Hunger. Hunter turns in a rare excellent performance (she hasn't been this good since, probably not coincidentally, The Firm; she reprises Gary Busey's role here), and a raft of minor characters turning in star-quality performances help the whole thing hold together. As should be obvious from the plot synopsis, this ain't your normal romance. But then, Jake Gyllenhaal's presence in any flick seems to indicate it's not going to be your normal whatever (Donnie Darko was not your normal teen comedy, Highway was not your normal road flick, etc.). Moonlight Mile may be a chick flick, but it's like someone crossed the script for a chick flick with the script for a David Lynch film, then hit the puree button on the blender. The end result is twisted and wonderful. Definitely worth a rental. *** ½ |
|