Even though the movie was made in 1983, it is one of the most dated films I've ever seen. I'm not just talking about the outdated room decor and fashions, I mean the whole look and feel of the film. It looks as if it were shot in the early '70's. This sense of being very dated and amateur-ish is underscored by the music, a strange concoction of seedy pseudo-techno and cheesy jazz that would be more at home in a porno film.

The screenplay is painfully dull, with none of the suspense of the novel. Production values are tacky and below the standards that one would expect even in a TV-movie of the same era. Some tight editing could have improved the situation significantly, but instead we repeatedly end up gazing at someone's face far longer than is necessary. It's almost as if the director wanted to go for a sort of retro-Euro look for the film, but he didn't come close.

The various "high tech" devices, mostly video cameras and monitors throughout the house where the action takes place, look ridiculously outdated. This wouldn't be so annoying if the director had not insisted on zooming in for a close-up almost every time someone touches a push-button, as if to tell the audience, "See, I'm all up-to-date with the latest new gizmos". The movie is filled with shots of people pushing old-style backlit clear plastic pushbuttons that used to adorn those boxy desk phones and were also used on some of the very first VCRs. Some of this stuff would have looked dated even in 1983.

Peckinpah is apparently best remembered for his penchant for violence and his use of slow motion in depicting violent scenes. There are admittedly several excellent sequences where he uses slow motion very effectively: a car/truck collision early in the film (totally unnecessary to the plot, but well done nonetheless) and several other scenes at various moments, but not enough to salvage the film.

What is so unfortunate is that the cast was made up of very capable actors, many of whom have given much better performances with other directors. If you compare this movie to "Marathon Man" and "Three Days of the Condor", both made in the mid-1970's, they have aged much better than "The Osterman Weekend". They move more quickly, they keep you in suspense, and you actually care about the characters. By the time people started getting killed in this movie, I couldn't have cared less. Another fatal flaw is that this movie is totally lacking in humor of any kind. There are some nasty sarcastic comments, but they are not funny, or even particularly intelligent.

Anchor Bay does an outstanding job of providing a quality video transfer for this turkey. Even more impressive is the remastered 5.1 soundtrack, which is surprisingly realistic and is one of the few things that makes the film watchable. The second DVD contains the director's cut of the movie, presented in full screen and without the remastering of the theatrical release. I could not bring myself to watch it (this is definitely not a film to be viewed more than once), but at least the die-hard fan will have both versions to view. There is a nicely done booklet with more information about Peckinpah and his films than I needed to know, but again, credit is due to Anchor Bay for giving the movie a much better presentation than it deserved.