The performances and the originality of the script are what stand out in this film. Rosanna Arquette manages to be funny and heartbreaking at the same time. Eric Roberts is so damned sexy and appealing in this film, it's hard to understand why he didn't get more romantic leads. When Arquette's character shouts at him, "Stop looking at me with those eyes!", every woman in the audience knows what she is talking about. He is magnetic, and gives great dimension to a somewhat underwritten part. The chemistry between these two is great. All of the supporting actors give first rate performances.

Some of the quirkiness of Beth Henley's script could have been whittled down - she seems to delight in presenting odd characters for effect, such as the albino bride, schizophrenic cousin and the obese younger brother, who don't add a lot to the story, but seem like contrived distractions. These elements might work in her plays, but only take away from the development of the main characters and their relationship to each other.

What she does get right is the complex relationship between love, obsession, humor and disaster. In Henley's world, tragedy exists right around the corner from happiness, and nothing is black and white.

It was interesting to read the comments from Dean, an actor in this film. It does seem like editing might have done this one in. I could have used more development of the Riley character, a little more humor, and less parading of oddballs.

But all in all, a worthwhile film for its performances and originality. It looks good too, with lovely shots of the outdoors, and attractive, appealing leads. All in all, one of the more memorable movies I've ever seen. Even if it stunk at the box office, those involved should be proud of it.