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One of the premier songwriters of the rock era, Robbie Robertson was born
July 5, 1943, in Toronto, Ontario. The son of a Jewish father and Mohawk mother,
Jaime Robbie Robertson's first brush with live music came at the Six Nations
Reservation, his mother's girlhood home; at the age of five, he also gained
exposure to the country music of rural America. Not long after, he began taking
guitar lessons from a cousin, and gradually began composing his first songs. As
time wore on, his musical interests evolved from country to big band to rock,
and he eventually dropped out of school to pursue a career as a performer. In
1958, he hooked up with rockabilly star Ronnie Hawkins' backing band the Hawks,
joining fellow sidemen Levon Helm, Rick Danko, Garth Hudson, and Richard Manuel.
After remaining with Hawkins through 1963, the Hawks began working on their own;
they soon came to the attention of Bob Dylan, and became the support unit on the
singer's now-legendary 1965-1966 world tour. Continuing their affiliation with
Dylan, the group, renamed simply the Band, went on to become one of rock's
seminal acts; propelled by Robertson's acute, evocative examinations of American
mythology and lore, they made a series of seminal LPs, including 1968's Music
From Big Pink and the following year's self-titled masterpiece. The Band
dissolved on Thanksgiving Day 1976 following an all-star concert filmed by
director Martin Scorsese and later released as The Last Waltz. The project
marked the beginning of Robertson's long affiliation with Scorsese, as well as
an interest in dramatic acting; in 1980, Robertson produced and starred in Carny,
co-starring Jodie Foster and Gary Busey.
Also in 1980, he composed the score to Scorsese's brilliant Raging Bull, and
continued to confine his musical activity to the film medium for the next
several years, later working with Scorsese on the acerbic 1983 satire The King
of Comedy and 1986's The Color of Money, the sequel to The Hustler. Finally, in
1987 Robertson released his self-titled solo debut, which included guest
appearances from onetime Band mates Danko and Hudson as well as U2, Peter
Gabriel, Daniel Lanois, and Gil Evans. Storyville, a conceptual piece steeped in
the sounds and imagery of a famed area of New Orleans, followed in 1991. In
1994, Robertson returned to his roots, teaming with the Native American group
the Red Road Ensemble for Music for the Native Americans, a collection of songs
composed for a television documentary series. Contact From the Underworld of
Redboy followed in 1998. ~ Jason Ankeny, All Music Guide
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