Southern Comfort
Cast :Keith Carradine, Powers Boothe
Director :Walter Hill
Studio :MGM/UA Video
Format :Color, Closed-captioned, Widescreen
Released Date :January 01, 1981
DVD Released Date :May 22, 2001
Language :Unknown (Dubbed), English (Dubbed), French (Dubbed), French (Subtitled), Spanish (Subtitled), English (Original Language), French (Original Language)
Audience Rating :R (Restricted)
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Customer Reviews
Rating
DateMay 20, 2005
SummaryCajun Hell
Content
Walter Hill's film on urbanism vs. ruralism and which one fares best in a rural environment when put against each other. Not that there's too much surprise as to who has the advantage, the film successfully carries the plot and suspense of this theme similar to John Boorman's earlier and superior film 'Deliverance.'

The film follows a squad of weekend warriors serving the National Guard who are training in the Bayou of Louisianna. Cocky and overconfident about their urban prowess, the squad harasses the Cajun residents in the swamp by stealing their canoes and firing blanks at them. Although for them this was just a silly game, their Cajun antagonists take their acts very seriously and begin to carry out a vendetta against the squad members eliminating them one-by-one. The weekend warriors suddenly start losing their hubris and sense of prowess as they wander lost through the swamp with nothing but play-guns loaded with blanks and but one box of twenty .223 rounds for their M-16s which one of the members brought along for hunting.

The film stars Peter Coyote, Powers Boothe, Keith Carradine, Fred Ward, and Lewis Smith. The film is quite good in its plot development and how it supports the theme of man vs. nature or urban vs. rural forces. Although the film is not as good or moving as Boorman's 'Deliverance' it carries plenty of drama and suspense. If you liked this film, you may also like Herzog's 'Aguirre: The Wrath of God' starring Klaus Kinski which, set in the Amazon basin in the 16th century, has a similar plot structure and thematic elements albeit with lower production values.

Rating
DateSeptember 27, 2004
SummaryAn Interesting, Entertaining Film For A Rainy Sat. Afternoon
Content
This is a good film to watch when you can't go outside, when you've got the time for some popcorn and an entertaining, otherwise meaningless action flick. Most interesting is the manner in which this small military unit fell apart, after getting lost in a Louisiana swamp and riling some of the local backwoodsmen. The sergeant in charge kept spouting training-manual platitudes ("lay down suppressing fire" etc), while every subordinate squad member developed his own ideas for surviving. Suspend your disbelief, and just watch it only for fun. (P.S. I've met some of the indigent folks portrayed in this film, and there's no way in real life they could ever be so functional or sober.)

Rating
DateSeptember 22, 2004
SummaryWhat We Have Here Is a Problem of Communication
Content
A company of semi-red neck Louisiana National Guardsmen are on weekend maneuvers in Cajun swamp land. They need to use a map to work their way out of the swamp. Leadership is weak, they bicker among themselves...and they lose the map. So they can struggle back the way they came, or steal some canoes from a Cajun fishing camp and make it easier for themselves. They make the mistake of taking the canoes. Then one of them for a joke fires blanks at a Cajun. Well, he fires back and there's one less National Guardsman.

The Cajuns, some of whom look like they might be second cousins to the backwoods guys in Deliverance, figure they'd better get them all. The National Guardsmen figure they'd better get out as fast as they can. They stick together but its pretty much every man for himself. They're in the middle of a swamp, and have to deal with quicksand, vicious dogs, bear traps, and psycho Cajuns with guns. Maybe I forgot to mention, they have almost no live ammo themselves.

Eventually only Keith Carradine and Powers Boothe make it to a small Cajun village. They think they're safe and can get help. The Cajuns are having a celebration with fiddle music and dancing and pots of gumbo. Then Carradine and Boothe notice that some of the men are among those who were after them. They make it, but barely.

This is a tight, well made movie that's engrossing. It's worth getting, with good performances by the two leads. Only thing to remember, if you've spent any time in Louisiana's small Cajun towns you'll know the people are a lot friendler than some in this movie.

Ry Cooder is down for the score. He as much as anyone was responsible for bringing the musicians of the Buena Vista Social Club to prominence and getting that movie made. Great movie, great DVD, great CD.

And for fans of Viet Nam war films, some people think this was one of the indirect anti-war movies being made around then...U.S. soldiers lost in a dangerous quagmire and being killed for misjudgements and mistakes.

At any rate, it's a good movie that's held up well. The DVD transfer is better than average.

Rating
DateJuly 09, 2004
SummaryDeliverance + Blair Witch Project = Terrible, Terrible Movie
Content
It's like Deliverance because it has hillbillies hunting city boys and it's like the Blair Witch Project because all that happens is they wander around not knowing where to go and eventually get killed. The script is so poorly written that someone actually gets killed by quick sand. The music is awful; at one point it's a single note being played for ten minutes. The acting is horrendous; they're supposed to be convincing each other that they're seriously lost and need to think of a plan, but they can't even convince me that they're in the Bayou.
The film is classified as action/adventure, but all that happens is that they walk around for seventy minutes, deliver terrible dialogs, spend twenty minutes in a hillbilly hootenanny, and battle their pursuers in a confrontation that makes the stunts on Xena look like a Bruce Lee movie. There's a scene where a pig is cut open and its guts come out and say, "Look at me: I'm unpleasant, but an hour of me is still better than ten minutes of this garbage!"
If you like this movie, make sure to check out Battlefield Earth and Cut Throat Island.

Rating
DateMay 26, 2004
SummaryAn Extraordinary Gem that deserves more prominence
Content
Whatver I say about this film, I can't admit to being objective about it because I adore it so much. At this point, I have probably watched it about 15 times over the years so I feel something of an expert on it.

Since others have written some very well written reviews of "Southern Comfort" I don't want to repeat what they say however a few points require clarification.

First, what this film is about. It is not, in my opinion, merely about the traditional urban/rural divide. That divide exists in the film as it does in real life. But that is not the point of the film. Nor is it an anti-white or anti-Southern screed. Although it takes place in the South it could take place just about anywhere when one realizes what the film is really about. Also both the "survivors" and the "villains" in the film are white Southerners. The "survivors" being two Lousiana National Guardsman - Spencer (Kieth Carradine) and Hardin (Powers Boothe). The "villains" being Cajun fisherman/hunters out in the swamps of Lousiana.

No, what "Southern Comfort" is really about is what happens when arrogant fools invade another people's land and start indulging in violent and hostile acts, including destroying the livelihood of the indigeneous native people (e.g. cutting their fishing nets and stealing their boats), shooting at, seizing, and taking prisoner innocent locals, blowing up their homes, abusing and torturing them (sounds all to familiar), and then wondering why they are hated so much and why the native people attack them. The message is really that simple.

It was captured in a short dialogue after the "survivors" are shown to be the last two left among the guardsmen. When they are confronted by a shotgun toting one armed Cajun (who was previously their prisoner) brilliantly played by the late Brion James, Hardin asks the Cajun, "Do you mind telling us what this [the war with the guardsmen] is all about?" The Cajun responds, "It's real simple. This is our land. We live back here and no one f***s with us here." For that reason the advertising slogan for the film - "The Land of Hospitality...unless you don't belong" - is wrong. It should have read "The Land of Hospitality...unless you misbehave and start mistreating and abusing the locals!"

If the guardsman hadn't behaved badly then they would not have had much trouble with the locals in the first place. Also, the Cajuns in the small town at the end of the film came across as quite normal and hospitable to me. Only the "swamp rat" Cajuns come across as threatening and THEY were only fighting back against violent intruders. So I have to disagree with the assessment by some that the film is anti-Cajun, anti-white, or anti-Southern. On the contrary, one of the "heroes" (i.e., survivors) is a white Southerner from Baton Rouge (Spencer played by Keith Carradine). As for the Cajuns shown in the small town, they were not actors. They were real people that were shown honestly and fairly - enjoying good food, good company, good music, and dancing.

To sum up, "Southern Comfort" is an outstanding and extraordinary film in its own right. The acting is persuasive and very convincing, especially from Fred Ward who plays a very menancing type and, of course, the much underrated and underappreciated Powers Boothe who plays the "outsider" from El Paso, Texas. The direction by Walter Hill is superb. The cinematography from the first frame to the last by Andrew Laszlo is lush, rich, and luxuriant. (It makes me want to visit the Lousiana bayou to see it for myself.) And last, but not least, the music composed and arranged (and played) by Ry Cooder is both mysterious and seductive. Few films have ever enjoyed such a perfect marriage between image and music as "Southern Comfort." The only other film that has this quality that immediately comes to mind is Carol Reed's "The Third Man" which featured the hypnotically beautiful zither music by Anton Karas. Karas and Cooder both share an indescribable special quality that is evident in both films.

The DVD transfer is outstanding. The only disappointment is the lack of any meaningful extras. Other than the original trailer there is nothing else. Okay, this is a budget priced DVD but still this film deserves better. I hope that MGM will see the light and re-release "Southern Comfort" with some useful extras like filmographies/biographies, behind the scenes photos, a "making of" documentary, and especially an expert commentary. This film definitely deserves it. Halliwell's Film Guide gives it four stars and if you know anything about Halliwell's you know how difficult it is for any film to get four stars.

So on a scale of one to five stars, I give the film five stars but the DVD four stars. Nevertheless because I love this film so much and wish it had a larger audience I will rate it five stars for Amazon.

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