Pinocchio
Cast :Roberto Benigni, Nicoletta Braschi, Carlo Giuffrè
Director :Roberto Benigni
Studio :Miramax Home Entertainment
Format :Color, Closed-captioned, Widescreen, Dolby
Released Date :January 01, 2002
DVD Released Date :July 06, 2004
Language :English (Dubbed), Italian (Dubbed), Italian (Original Language), English (Original Language), English (Subtitled)
Audience Rating :G (General Audience)
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Customer Reviews
Rating
DateFebruary 20, 2005
SummaryNot Bad For A Foreign Film
Content
This version of the classic sotry wasn't too bad, but I did not like the fact that Pinocchio started out as a real livng thing than a transfer from puppet to boy. I guess in Italy, where the director is from, it has a different way of the story or history of Pinocchio.

Rating
DateDecember 21, 2004
SummaryInteresting!
Content
Without regurgitating what seemingly every reviewer of this film felt HAD to be said, I will say that this is certainly the most interesting of ALL Pincchio movies/adaptations in history!

For one, and this MUST be said again, to watch a 50 year old man play the part of a little wooden puppet is a exercise in sheer open-mindedness and tolerance!

In fact, watching the entitre film (ORIGINAL VERSION ONLY PLEASE) one get's the impression that Benigni favors adults over children, even in a childrens' story, as ALL characters are played by grossly overaged/sized adult actors.

The movies is funny though...in a strange way.
The biggest drawback aside from his age, is Benigni's un-naturally high pitched voice and penchant for rambling dialogue.
As a student of the Italian language, it can be hard to follow his incessant jumble of non-sensical jibberish.
At the same token, it is Benigni's annoying acting style that makes this film fun to watch.

What makes this film even quirkier is the relationship between a very grown Pinocchio and a rather attractive Blue Haired Fairy. There were times when I thought Pinocchio would just grab his beloved fairy and use his long nose to work his own brand of magic on HER. Sounds bad I know, but if you've seen this film you'll have no choice but to agree that there is waaayyy more physical chemistry between Pinocchio and the Fairy than ANY childrens story ought to have.

I can see why the critics AND the vast majority of viewers hated this one. It really isn't a GOOD film in a traditional sense.
Where this film shines is with those of us who have an appreciation for the off-beat and downright different.
This movie is both, which is why I bought it in the first place.

Will I recommend this to all you dear morally upright, purist partents out there for your kids to watch? Certainly not!
This is a non-sexual, but yet very adult oriented movie. Especially for dumbed down Disney raised US viewers.

Is this really a 45 million dollar flop? Absolutely!
Do I enjoy this film whenever I watch it? I most certainly do.


Rating
DateApril 09, 2004
SummaryThis film is underappreciated
Content
This is a very well crafted and entertaining movie, but of course must be watched in Italian, with the subtitles. If you like Benigni you will certainly enjoy this film--as usual he shines with comedic brilliance. The movie is absolutely hilarious in some parts, and very touching in others. Benigni's acting is great, but there are also great performances by the supporting cast members. This movie is beautifully photographed and cleverly written and it's a shame it was released in 'dubbed' form in the U.S. Dubbed movies are always bad, but the actor who did the voice for Benigni's Pinocchio was just not a good choice at all!

Rating
DateOctober 25, 2003
SummaryInteresting ideas, but falls flat on all levels.
Content
Roberto Benigni received extremely harsh critical attack for his recent rendition of Collidi's classic fairy tale of a puppet who wished to become a wooden boy. Part of this is because Miramax decided to cut the film from 110 minutes to 99(!) -- often a bad mistake, as it can damage the effect of a film. But they added another slapping blow by overdubbing the character voices. In a foreign animated film, this works more successfully because an animation cel stands on its own. Unfortunately, it's not so in the case of live action. The line-readings of the voice actors clash horrendously with the moving mouth of the foreign language, and, here, in PINOCCHIO, it's just really awful. I only listened to bits and pieces of the dub, and although the voice cast is certainly talented and does a respectable job (except for Breckin Meyer as Pinocchio himself), their words are so poorly synchronized with the moving mouth that the results come across as disastrous.

Although the film holds well together in its native tongue and uncut version, one cannot help but wonder just what went wrong with this production. PINOCCHIO is definitely an ambitious picture; the costumes, set designs and cinematography are all strikingly beautiful. There are also lots of staggering special effects shots, from a carriage drawn by mice to an enormous shark in the sea. Such effects made the movie the most expensive in Italy --$45 million in total--; and Benigni should consider himself fortunate that it broke even in box office receipts. In America, however, it didn't have the same reception. Either because of the cutting and disastrous dubbing (despite the presence of big names in the cast such as John Cleese, Eric Idle, Cheech Marin, and Glen Close), or the fact that people could not accept this version, the movie was a dismal failure.

Part of the problem is the decision of having Benigni himself playing Pinocchio. I mean, come on! Benigni is WAY too old for Pinocchio, and a lot of the other "kids" in this picture are played by grown-ups! Somehow it didn't come off on me as glaring that such was the case, but I can just imagine why critics and film buffs would slamdunk this film for that cause. There are plenty of interesting concepts and ideas for the film; the Blue Fairy's costumes are gorgeous, and the image of a butterfly present in the film is very nice, but that's not enough to save this poor, troubled picture. There's hardly a sympathetic character in the movie; Pinocchio is supposed to be disobedient, yes, but here he's portrayed as a crazy maniac, refusing to behave or do anything good until he is goaded into it. The Talking Cricket is not much better. If you were spoiled by Jiminy Cricket from the (far superior) Disney version, prepare to be shocked - he not only looks a man with artificial antennas placed on his head, he also acts condescendingly. Instead of being encouraging, he comes across as a sarcastic, unhelping little jerk who just badmouths the "boy" instead of coaching him. Granted, I'm aware that this is true of the original Collidi tale (Disney "softened up" Pinocchio's personality for his film), yet here it's executed so awkwardly that it becomes difficult to become involved in this film. It also is not a very clear, focused picture: it's too dark and menacing for youngsters and too insane to appeal to older audiences.

A modern misfire, this version of PINOCCHIO is more likely to be remembered for its cinematography rather than its misguided story and below-average dubbing. (Even on the Italian original, there is some gratingly bad acting.)

Surprisingly, even though Miramax butchered this film in its theatrical release, they certainly produced a great package with this DVD. It's a two-disc set, complete with a very gorgeous transfer, and two different versions of the movie. One disc is the horribly recut U.S. release while the other is the uncut Italian version. Strangely, even an English language track is offered on the second disc as well, and it includes all the stuff that was cut from the U.S. premiere! Very interesting indeed, even if the dubbing still can't hold a candle to some of the better ones I've heard (mainly from animation films, because they don't have the same lip-sync problem that live-action ones do). Sadly, though, even the presence of the uncut version doesn't change the fact that this movie is a disappointing experience. It's gorgeous to look at, but it's certainly not a classic by any means.


Rating
DateOctober 16, 2003
SummaryMissed its potential, but not as bad as critics say...
Content
This movie's notoriety as the "worst film of 2002" peaked my curiosity. I was actually disappointed to hear how bad it was because I grew up loving the original Italian Collodi story of the live wooden puppet. Having seen the SUBTITLED version of the DVD, I must say the film is not nearly as horrific as some critics would have people believe. While I agree that it is very hard to buy Roberto Benigni in the title role as a young boy/puppet, much of the film is presented as 'theater' and thus asks the audience to suspend belief. The characters of the Fox and Cat, and many others rely not on actual animal makeup but features which create an illusion of their characteristics. In this sense, the film is quite ingenius and imaginative. The sets and costumes are beautiful and the script and story line are very faithful to the original book. That said, this film is a hard one to market to any audience because it is an adult (or 'art')version of a children's story, produced in another language. Sadly, in spite of its strengths, the film was doomed to fail in America because most children know only the animated Disney version of the story, and most parents do not wish to see a 50-year old playing the lead in a children's fairy tale. A shame, because while far from perfect, the film is not the disaster that many have proclaimed it to be.
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