Amen. | | Cast : | Ulrich Tukur, Mathieu Kassovitz, Ulrich Mühe | | Director : | Costa-Gavras | | Studio : | Kino International | | Format : | Color, Widescreen | | Released Date : | January 01, 2002 | | DVD Released Date : | October 05, 2004 | | Language : | English (Dubbed) | | Audience Rating : | Unrated | | | BUY THIS DVD FROM AMAZON | Customer Reviews
| Rating |      | | Date | December 11, 2004 | | Summary | The slap in the two lips! | Content
 | this is one of the most pwoerful movies ever made in this new Century . The scandal is the half of the sin . But what a sin .
Are you able to reconsider the role of the Christian Church after this abominable fact in the WW?
The historical roots are rigorous . Costa Gavras has always been a very minucious director and hardly makes a bad film .
Watch this film and then think it over , over and over .
Amen! |
| Rating |     | | Date | May 30, 2004 | | Summary | Very Good | Content
 | The relationship between the Vatican and the Third Reich has been a very hot topic recently, as new documents and scholarly works have served to ignite a massive debate. Could the church have done more, did they aid the Nazi's covertly, was Pope Pius XII a coward in the face of Hitler? These are all relevant questions that deserved to be answered. Into the debate steps Amen, an effective drama directed by Costa Gavras, which, while looking at the actions of the church hierarchy during the war, concentrates more on the low level relationship, which I consider much more fascinating. The movie is an interesting look at morality and responsibility in the most troubling of times. The movie's protagonist, interestingly enough, is SS officer Kurt Gerstein, played by the subdued Ulrich Tukur. Gerstein is a chemist by trade, and is promoted because of his ability to create extremely effective "anti-vermin" pesticides, such as forms of Zycklon-B. Gerstein is stunned to discover, as he stares into a gas chamber, that his formula's are being used for far more than animal extermination. The realization changes his life, and Gerstein, a devout Catholic, gives the information and more to a well-connected Italian priest, Father Riccardo. Riccardo's family is close to the Pope, and the two unlikely allies feel they can effectively move the church against the Nazi regime. They have a precedent, considering that a Catholic uproar ended the SS sponsored extermination of the mentally handicapped. However, the two soon find that the church is hesitant to challenge Germany, for numerous reasons, including their hatred for Stalin's Russia, their anti-Semitic attitudes, and their fear of decreased power in Nazi dominated Europe. It's a wait and see attitude that is getting millions killed. Both men are locked in their moral duty, even as those they trusted fail them, time and time again. Amen is a stylish film that uses the rich history of Europe to lend a foreboding atmosphere to the entire situation. The Vatican shots are amazing, as are the Berlin and, horrifyingly, the camp scenes. The acting is good all around especially Tukur's portrayal of the tortured SS officer, unsure of where to turn. While it may make some leaps of faith that are factually baseless, it does shed an interesting light on those times. It's ending is a haunting one, as was history's verdict. A good film. |
| Rating |     | | Date | April 14, 2004 | | Summary | solid movie | Content
 | This was a solid movie. The acting was good, but understanding the dialogue was hard at times. It showed how both protestant and catholic leaders did nothing. It also shows how fearful everyone was of hitler's power. The Vatican clearly was portrayed as being more concerned about preservation than any eternal moral action. the movie coincides nicely with cornwell's book "Hitler's pope.".....as winston churchill said, "all that is needed for evil to persist is for good men to do nothing." |
| Rating |     | | Date | October 02, 2003 | | Summary | A Powerful Lesson we May Still Need To Master | Content
 | As far as films dealing with the Holocaust are concerned, I do not believe that AMEN is in the same category as LIFE IS BEAUTIFUL or SCHINDLER'S LIST. I say this not so much because of the film's quality, but due to the fact it is really a morality tale about what happens when people who are basically good fail to see obvious evil, do little to nothing about it, and in the end may even be aiding the evil that so opposes good. The Holocaust is merely the backdrop, and the failure of organized religion to oppose the evil of Holocaust is history's best example to demonstrate what happens when people do not oppose evil. At the beginning of the film, people of the Christian faith seem to be doing the right thing. People with mental and physical disabilities are being sent to the death camps, and churches, particularly the Roman Catholic Church boldly speak against the atrocity. Yet when the same thing happens to the Jews, the vigilant churches remain indifferent at best, and in more cases than not, silent. The more the churches realize the atrocities, the more deafening the silence becomes. Amen breaks new ground as far as the discussion is concerned. Much has been made about the silence of the Vatican in general, and more specifically Pope Pius XII's failure to speak. The film could have used the easy answer, namely fear that the Vatican would be destroyed, and would therefore destroy the Church as well. While this is mentioned in the film, it really does not seem to be the major reason for the silence. The choice for the Church was either to side with the Allies, which included Russia, a Communist nation. The Communists were viewed as more evil since Communists opposed religion. The Axis powers were just as evil as Stalin, but at least they allowed the practice of the faith as long as the Church was not critical of the Nazi Regime. This seems to be the more accurate reason for the silence. Many people who will see this film will see the Catholic Church in a less than positive light. I'm not certain this is accurate. The character of Fr. Riccardo Fontana is one of the two heroes of the film; he is Catholic, and actually stands for what is best in the Church. Keep in mind, the greatest Christians, Catholic and non-Catholic, are more often than not the heroes who stand alone, and the heroism of one who stands alone is probably a more powerful example of faith than any religious officials. We see in the character of Fontana one who makes a morally good choice and acts on it as opposed to the hierarchy, who made a bad moral choice of choosing what they believed was the lesser of two evils. Fontana is actually a Christ figure and his actions teach us how we should be acting. Also, people viewing the film should keep in mind that while the Catholic Church is the Church that is viewed as wrong, none off the other Christian denominations did all that much to stand up to the evil either. If Dante is correct about the hottest spot in hell being reserved for those who remain neutral, and silence is considered neutrality, many are in deep trouble. |
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