A Personal Journey with Martin Scorsese Through American Movies (TV) | | Cast : | Martin Scorsese | | Director : | Michael Henry Wilson, Martin Scorsese | | Studio : | Miramax | | Format : | Color, Black & White | | Released Date : | January 01, 1995 | | DVD Released Date : | June 03, 2003 | | Language : | English (Dubbed), English (Original Language) | | Audience Rating : | NR (Not Rated) | | | BUY THIS DVD FROM AMAZON |
Customer Reviews
| Rating |  | | Date | February 21, 2005 | | Summary | A walk down Hollywood Blvd | Content
 | How much do I love Martin Scorsese ? more than any other director alive or dead. How objective am I when it comes to his work ? very !!! Therefore when I write that this is good, it is reaaaally good.
Here we meet with Marty the film geek during a 4hours long walk down memory lane. This documentary is constructed as MS's introduction to American Cinema, but far from being dry it is a passionate presentation that opens many perspectives, both on the history of cinema and on Scorsese's own filmmaking.
I recommend this documentary to anyone who calls himself a cinephile or anyone willing to do the work necessary to become a fully-fledged one. Yes, it is only US films but just give MS time enough and he might come up with an anthology of japanese cinema ;o)
This works perfectly with his Journey in Italy that maps out the key moments of Italian cinema, and is therefore an even more personal insight into MS's influences (good to see with his documentary on his parents Italianamerican, a very moving film with the incredible Catherine Scorsese !).
This documentary is a pure pleasure to watch, listening to MS talking about films is a delightful experience and will provide the attentive viewer with a better understanding of a bunch of cult/classic films. I would advise you to pay special attention to the part on The Searchers (in the westerns section), and then to screen Taxi Driver with this John Ford classic in mind, just to realize how influences and reinterpretation work in Scorsese's work.
Some can complain that MS doesn't speak about recent films, nevertheless I don't think it is relevant. What the film is trying to do is to actually give us tools to read into recent movies, into our film viewing experience ... I would like to hear more of what Scorsese has to say about The Godfather for instance, and I would loove to hear him saying awfull (and deserved things) about films such as Lethal Weapon, but that's not what he's here for. Moreover, it's harder to determine which recent movies are worth talking about/most important. Let's leave time to history to make a selection and hope for some other cinephile to take a look at the nineties in 30 years for instance.
Anyway, this DVD along with the one on the Italian cinema are true must have's or at least must see's (repeatedly!!!) for anyone who loves cinema / Scorsese. |
| Rating | | | Date | February 12, 2003 | | Summary | Magnificient View | Content
| This is an incredible look at the history of American Cinema through the eyes of the greatest American Filmmaker. Martin Scorsese's ability to tell story is moving. The man loves movies and shares this love through his extensive knowledge of the subject, but somehow manages to remain humble and lets you know that this is of course his view, His Personal Journey. It is amazing to think that if a younger filmmaker were to be asked what his influences were they would surely include Scorsese among their greater influences and give praise to such a master. In watching this DVD you can see the same admiration any young filmmaker would have for Scorsese coming from Scorsese himself towards the Greats that came before him and shaped his View. |
| Rating | | | Date | February 04, 2003 | | Summary | Every cinema buff and film student should own a copy | Content
| How close is this to the syllabus of Prof. Scorsese's course at NYU? It really doesn't really make a difference to me whether these are his "personal" opinions or not--it's an incredibly valuable survey of cinematic technique. Particularly striking is the section entitled "The Director as Smuggler," highlighting how once-controversial themes were cloaked in the familiar fabric of genre pictures. Today when everything has to be so in-your-face obvious, there's a lot to be learned from these subtle visual and narrative tricks. |
| Rating | | | Date | October 17, 2002 | | Summary | A Master Directors Vision | Content
| For those of us who admire and study one of the true maestros of American film, this set is priceless! Going through Martin Scorsese's own chronologic recollections of the films, directors, cinematographers etc., that influenced his thinking and sensibilities, one is left with a sense of having been with him thorough this development. What a treat!
Understand that, just like his films, Scorsese covers a topic from his own, now recognizable perspective. He says, "I can't be objective here ...", right off the bat. The very title denotes the vision is "Personal...". It's Scorsese's vantage point. He makes no bones about that. I love that he doesn't even try to be global and universal on any of it. Isn't that what we love about a Scorsese film? He has a personal vision on what he experiences and shares it honestly, openly and candidly. And isn't that what a director does? Nobody does it like Scorsese.
I say: Thanks for sharing those thoughts with us Maestro Scorsese. What a personal pleasure it is having your notes on all those great films, on the era, on the cinematic technology, on the concurrent cinematic history that runs throughout, for another exposure to the Scorsese views and visions. Bravo, Maestro!Leon Rodriguez
Filmmaker Leon Rodriguez |
|
Picture 01 (20)
