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 | The first time I ever saw Christopher Lambert was in the memorable "Highlander" film back in the 1980s. I saw him again in the first sequel to that film a few years later, but after that he seemed to vanish down some type of cinematic memory hole. Occasionally, I would stumble across "Highlander" again on some cable channel and wonder about the fate of this actor. After recently wandering across the 1993 film "Fortress," I got my answer: Lambert works almost exclusively in the landscapes of low budget movies. I am not saying low budget films are a bad thing?certainly not?but if ever there was an actor who perfectly fit the parameters of a B movie production, it is Christopher Lambert. That accent coupled with a slightly stilted method of delivery dooms Lambert to semi-obscurity. You can probably tell that I am not a great fan of this actor's work, but after criticizing his acting skills, I should state that "Fortress" actually manages to achieve a certain chintzy charm. "Fortress" presents a picture of an extremely bleak future set in America in the year 2017. The United States, and possibly the world, staggers under the weight of a massive boom in its population. In an effort to alleviate these problems, the government resorts to enforcing laws banning couples from having more than one child. Anyone caught breaking this law ends up in an underground prison run by a private corporation named Men-Tel. This prison does not qualify as one of those posh, white-collar jails we know and love today, but is a claustrophobic, overcrowded place bristling with automatic cannons, cameras that move across the ceiling, and androids armed with impressive weaponry. Even worse, newly inducted prisoners swallow "intestinators," devices that explode if a prisoner wanders beyond certain boundaries. For those inmates considered especially problematic, there awaits the "mind wipe" chamber capable of turning a man into a shattered wreck. It sure looks as though no one could escape this subterranean nightmare. Enter John and Karen Brennick, a married couple that conceived a second child after their first born died. The Brennicks know the laws, but decide to flee to Mexico in order to escape these draconian measures. Regrettably, the couple's ruse falls apart at the border, earning them a quick trip to the Men-Tel resort and spa. John and Karen, forcibly separated, soon encounter the warden of the prison, a brutal thug played by veteran actor Kurtwood Smith, and the computer that runs the prison. John bunks with few odd characters, most notably imprisoned technology wizard D-Day (played with geeky aplomb by the always amazing Jeffrey Coombs). John Brennick doesn't intend to spend one more day than necessary in prison, and he soon enlists his roommates in a plot to escape from the prison. Along the way, Brennick dukes it out with the resident psycho, undergoes a trip to the mind wipe chamber, and schemes to get his wife out of the clutches of the evil warden. "Fortress" offers up a whole host of gory sequences for the avid sci-fi/horror fan. The best sauce scene occurs when an intestinator explodes inside a man's stomach. The filmmakers love the idea of such a device so much they just have to show this scene soon after we learn what function such a piece of hardware serves. I kind of like that in a way. Why waste time when you can show a guy's abdomen exploding in the first twenty minutes of the movie? Moreover, the fight between Lambert and the cellblock murderer is appropriately bloody, as is the gunfire heavy finale. Overall, "Fortress" does give the viewer plenty of good old-fashioned carnage. The conclusion does seem a bit predictable, but who cares? Getting there was quite fun. I liked most of the performances in this movie, even Lambert's turn as the laconic Brennick. Kurtwood Smith always does a good job, and Jeffrey Coombs may well be one of the greatest B movie stars in the history of cinema. Look for Lincoln Kilpatrick in a prime role, as well as the always menacing Vernon Wells playing the prison heavy who hates Brennick at first sight. About the only actor I didn't care for in "Fortress" was Loryn Locklin, who played Karen Brennick. I cannot put my finger on any specific reasons for this dislike, except that maybe I thought her too plain for the role. Stuart Gordon, the director responsible for the cult classic "The Re-Animator" helmed "Fortress." According to the production notes on the DVD, none other than Arnold Schwarzenegger helped get this movie made. With heavy hitters behind the scenes and a strong cast in front of the camera, "Fortress" entertains. The DVD falls short in the extras department, but the picture transfer looks great. A sequel to this film appeared several years later, reportedly not as good as the original. I will probably watch this continuation of the "Fortress" saga, if for no other reason than the promised appearance of Pam Grier as the owner of Men-Tel. Grier, even at her worst, is always worth watching. Movies like "Fortress" and its sequel usually possess a few flaws, but violent science fiction can be immensely fun to watch, and in that aspect, "Fortress" delivers. |