Scandal | | Cast : | John Hurt, Joanne Whalley, Bridget Fonda | | Director : | Michael Caton-Jones | | Studio : | Anchor Bay Entertainment | | Format : | Color, Widescreen, Dolby | | Released Date : | April 28, 1989 | | DVD Released Date : | June 08, 2004 | | Language : | English (Dubbed), English (Original Language) | | Audience Rating : | R (Restricted) | | | BUY THIS DVD FROM AMAZON |
Customer Reviews
| Rating |  | | Date | May 27, 2005 | | Summary | The painful fall! | Content
 | The historic scandal that literally embarrassed during a decade the highest spheres of the British politic, was not more than a simple reflect of a state of things originated perhaps, by the collective reaction to forty years of war. The social behavior works out as a big pendulum: it can prove its huge ability to resist. Along those hard years, four generations gave the best of themselves but the fifth generation simply said no more and somehow the pendulum took the opposite direction: in fact having reached the peak, the psychological answer was evasion and funny diversion, breaking the rules vertical and horizontally. It is not a mere coincidence the presence of so many good movies in the comedy genre. That is a remarkable evidence and somehow it reminds the same behavior of the last period of the Greeks or any other example. The comedians appear many times at the end of the expansion of any society: epic, tragedy and comedy.
Profumo's scandal was perhaps, the last downstairs push, a real shock for the Victorian gaze, a slap in the face of the body social that curiously assists to the birth of the British rock & roll. Michael Caton Jones made to my mind his best achievement to date with this movie, revealing carefully the most intimate insights and details around this scandal that overcame the politic sphere to become a very hard punch, not only for the Conservators, but besides all the British citizenship.
Fabulous performances. John Hurt as Stephen Ward and Ian Mc Kellen as the Primer Minister fallen in disgrace are simply overwhelming.
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| Rating | | | Date | January 23, 2005 | | Summary | Sexy and Riveting | Content
| The instrumental "Apache" is playing as Christine Keeler (Joanne Whalley-Kilmer) and Mandy Rice-Davies (Bridget Fonda) are dressing for a night at a *knocking shop*. The montage is pure early-Sixties erotica as these contrasting beauties are fastening their merry widows and applying their frosted lipstick, with the rolling rhythm of the music propelling the delectable visuals. Slipping into their party dresses, with a final command of, "Wet your lips," the girls are stunning, and all eyes are on them.
Cut to: rustling satin sheets and the ecstatic cooing and moaning of two women making very vocal love. The "ooohhhing" and "aaahhhing" is intense and limbs are flailing as the camera travels over the bed, settling on the faces of Christine and Mandy. A final unified sigh of orgasmic lust and the girls dissolve into uncontrollable laughter as their passion is revealed as a charade, and the camera pans to their catch of the evening, a very aroused matinee idol, who, unable to contain himself, blows a battle cry and swan-dives into bed with them. Steamy and hysterical, it is drop-dead stylish filmmaking, and only one dazzling segment of a brilliant film that is political at heart -- but drop-dead gorgeous as well |
| Rating | | | Date | July 26, 2004 | | Summary | The war minister, the model, and the Russian spy. | Content
| In terms of pop culture, 1963 was a good year for the UK, as that's when the Beatles first exploded on the scene. For Harold Macmillan and the Conservative Party, it was the opposite, as a scandal involving Russian spies, his Secretary of State for War, John Profumo, and two callgirls named Christine Keeler and Mandy Rice-Davies, led to the collapse of his government in October due to the national security issues. However, of the two girls, Keeler was crucified by the press and ended up in obscurity, while Rice-Davies made it big, even appearing in the movie Absolute Beginners. And the man who introduced Keeler to Profumo, Stephen Ward, became the scapegoat of the whole affair and committed suicide. Scandal tells of the rise and fall of the three central characters: Keeler, Profumo, and Ward.
After a brief shot of Keeler being mobbed and manhandled by journalists following her testimony at court, the movie takes the viewer back to 1959, when Keeler was a dancer in a revue at a West End club, wearing all sorts of daring costumes. It's there that she catches Ward's highly-trained eye. It takes looks or money to enter the privileged world of the elite, and to Ward, and given her looks, Keeler is a racehorse. He promises to introduce her to all sorts of important people, but that she needs to be wild, liberated. The two share the same apartment and a special relationship grows between them. Ward is quite the libertine, saying that the "trouble with everyone is they're too ashamed to enjoy themselves." However, he is seen by others to be vain, shallow, and empty-headed.
Keeler is introduced to Eugene, a Soviet naval attache, and in a very sexy moment at Lord Astor's mansion, to Profumo, who is quite taken by her. He's quite the shy soul, and at first, he just talks with her. Later, well, the rest is history. But she finds herself stifled, preferring men her own age instead of the older men Ward introduces her to. She complains "You pull the strings. I'm what you make me."
As for Mandy, she ends up working at the same club as Keeler, and at first the two butt heads. Mandy though upstages Keeler during a sizzling dance number where they are wearing Native American feathers and costumes, with the loss of her top apparently not hindering her. The two become friends later on.
It's amusing to hear Profumo's address to the House of Commons regarding Keeler. Initially he says there was no impropriety whatsoever. Fast forward to another politician, an American president no less, who said "I did not have relations with that woman." Hmm....
The scenes that caused a ballyhoo during its release isn't as explicit as all that, unless one counts the scene of a client being turned on by Christine and Mandy together before he ends up joining them--other than that, nothing beyond softcore.
Joanne Whalley-Kilmer radiates a sizzling cuteness as Christine Keeler. She's quite expressive, from those winning smiles to the tearful looks of heartbreak when she is forced to betray her mentor. Bridget Fonda's Rice-Davies isn't a warm or appealing character. John Hurt (Stephen Ward) radiates an aura of excitement and self-destructive behaviour in one of his best roles yet, with Ian McKellan (yes, Gandalf himself) doing quite well as the shy yet doomed Profumo.
And the guy who plays Johnny, the Jamaican lover of Keeler who is later described as a "lovesick jungle bunny," is none other than Roland Gift, lead singer of the Fine Young Cannibals. Was it Whalley-Kilmer he was thinking of when he sang "She Drives Me Crazy?"
The fact that Macmillan and Profumo got honours later on shows how forgiving the UK could be. But it's also interesting how a scandal can affect one's successors. Sir Alec-Douglas Home inherited the scandals and problems of Macmillan and lost to Harold Wilson's Labour Party a year later, the same way Gerald Ford lost to Jimmy Carter in 1976 due to his associations with Nixon and inheriting the high inflation of his predecessor.
One wonders if Keeler wasn't exactly chuffed to be reminded of an episode in her life she'd rather forget, but if Scandal shows that she became a victim and object of scorn, then it has served its purpose. |
| Rating | | | Date | July 24, 2004 | | Summary | THE BITTERSWEET COMPLEXITIES OF THE HUMAN HEART | Content
| Scandal's theme is both universal (the peccadilloes of men waking up in wrong beds) and political (covert tensions between governments hinged on a political scandal) but it provokes a startling human dimension while maintaining an even keel in a note of sympathy for its characters, and indignance for the hypocricy of the toffs among which they had to thrive.
The plot is based on an actual turn of events, harking back to a notorious scandal of misconduct in the ranks of the British government a few decades ago. Our linchpin is Stephen Ward, a bon vivant whose sole aim in life was to drift in the right circles by finding young girls to groom and convert, and then introducing them to the reflected glow of his aristocratic chums.
If his innocuously misguided orchestrations for rolling in "high society" were unsavory, the film minces no words that parties on either side of the bargain never really complained until they had their faces slapped on the front pages of news dailies. All of this comes to a tumbling end when one of the girls, Ms. Keeler, is exposed because of an unfortunate two-timing between a British Cabinet official and a Russian agent. There is a suggestion of romantic tension between this character and Ward, which is quite interesting.
It was my first time to see the actress who plays Keeler but she struck a fabulous balance in the paradox of her character: radiantly innocent on one hand, but amorous with an abandon on the other, believing there to be little difference between sleeping with powerful men and a stranger whom she called boyfriend.
Therein lies the beauty of this film. Behind its (inevitably) smoldering sauciness, it is surprisingly wise about the complexity of the human heart. The saddest moment in the movie comes in the final courtroom scene, when Keeler is called as a witness and ruthlessly hammered by the prosecutor's questions, until Ward flails his arms from the defendant's box and cries "That is not fair!" Which quite aptly sums up the wail of this riveting film. |
| Rating | | | Date | June 21, 2004 | | Summary | DVD version not as advertised | Content
| My comments are not aimed at the merits of this fine film but at the recent DVD release by Anchor Bay. The cover boasts that the version it contains is "uncut & uncensored"; however, that claim is false. Inexplicably missing is the entire "nightgown" scene with Bridget Fonda, which should appear just after the orgy. I'm pretty sure that this scene appears in every other version of the movie. I'm almost certain it was in the R-rated general release, I know it is in the "uncut" VHS tape, and part of it even appears in the broadcast televsion version. In fact, watching the censored TV cut of that segment on BBC America a month or so ago is what inspired me to order the DVD in the first place. Now I just feel ripped off. This is not the first time I've purchased DVDs that were missing key scenes, but this instance was particularly galling. |
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