While no film could ever recapture the easy charm and beautiful sentiment of FUNNY GIRL, FUNNY LADY is highly entertaining when viewed on it's own terms. Streisand plays the now-hard-bitten Fanny with a depth and maturity that is very different from her characterization in the first film, but almost equally as stunning. Many viewers often complain that James Caan was badly miscast as Billy Rose. While Caan is physically wrong for the role of the short, unattractive Rose, he still comes across as oddly likable, and he has a nice comic chemistry with Streisand. Roddy McDowell is fun as Fanny's assistant, and veteran hoofer Ben Vereen brings down the house with a incredible, almost gravity-defying dance routine. Omar Shariff also returns for two very effective scenes as Nick Arnstein, the man Fanny will always love, but can't seem to live with.

Though Streisand is in terrific singing voice, the song score is a bit more hit-and-miss. The period standards that Streisand vividly performs (particularly the bittersweet "More Than You Know," the gospel-infused "Great Day," and the heart-wrenching "If I Love Again") are absolutely fantastic, however, the heavily-promoted original songs from Cabaret composers Kander and Ebb are a major disappointment. The intended show-stopper "How Lucky Can You Get" is fine number that is made memorable by Streisand's scorching performance, however, the remainder of the original songs ("Blind Date," "Let's Here It For Me") are pretty forgettable despite Streisand's impassioned vocals. Fortunately, these few mediocre numbers (and the rather predictable narrative) are flaws that are very easy to forgive. No, FUNNY LADY doesn't hold a candle to FNNY GIRL, but the film remains a fun and enjoyable ride that should entertain those who loved the original.

About the DVD: The picture quality is excellent - a bit more edge enhancement than there was the FUNNY GIRL DVD, but still great. The sound is also terrific, but I wish Columbia would have at least included the film's original trailer.

She is bitchy because she has been bruised. Notice upon another rewatching of "Funny Girl" how Fanny slowly but surely learns to cover up her pain and anguish through her constant performativity. Whatever innocence was left in her is gone after Nick walked out the door. "Funny Lady" is a worthy sequel because, psychologically, it starts where the last movie leaves off. Fanny must learn to love again. The reason you don't see "sweet Barbra" until the train sequence is because the movie is ABOUT the re-emergence of the sincere woman.

Pay attention to the kinds of lines the writers of both "Funny Girl" and "Funny Lady" give to Fanny Brice. This is the same woman. Only older. Wiser. More bruised. And to those of you who call the movie "cliché," I wonder if you missed the ending.

Is the movie overproduced? Yes. Is it poorly written? No. I would argue that this movie very nearly merits its original in quality, but because it very sincerely tackles the problems of maturity, the problem of Life After Love, its themes may be too complex for those looking only for another tragic love story.

As someone who knows the power of First Love, I found this movie honest and moving, worthy in nearly every way to its prequel, and though there's not enough room in this space to defend it fully, I count myself among those prepared to do so.

The DVD gets four stars because there are no special features.

There are several reasons for this, though none are to do with the performances given by the leads; Streisand reprising her role as Fanny Brice does what she can with a truly lousy script, ditto James Caan as her hapless second Husband, Billy Rose.

Why 'Funny Girl' fails so badly is the fact that it seems to have had eighteen different writers, producers and directors working on the project at any one time. At one point, early on in the movie, Fanny complains of Rose's show that 'the whole damn thing is overproduced' - ironically, a metaphor for 'Funny Lady' itself. Musical numbers are shockingly produced - 'Clap Hands, Here Comes Charley' looks and sounds like a singer in great pain, while Barbra's showcase songs 'Great Day' (embarrasingly racist) and 'Let's Hear it for Me', while beautifully performed, are hideously shambolic mish-mash affairs of direction and choreography, or lack thereof.

The script, too, is second-rate. Why is Fanny a big bee-yotch all of a sudden? When did the hard-nosed businesswoman come along to replace the sweet, funny Fanny of the previous movie? She's too mercenary now, all shares and profits, and her femininity doesn;t really begin to show until the 'Isn't This Better?' moment (a beautiful song, and an even better performance), but this is towards the film's end, and by that stage we're just plain tired of Bitter Barbra.

Bearing little to no resemblance to its predecessor, 'Funny Lady' is a terribly poorly-produced movie, full of beautiful songs and really awful visuals. Buy the soundtrack instead.