Curly Sue
Cast :James Belushi, Kelly Lynch
Director :John Hughes
Studio :Warner Home Video
Format :Color, Closed-captioned, Widescreen
Released Date :October 25, 1991
DVD Released Date :June 01, 2004
Language :Spanish (Dubbed), Portuguese (Dubbed), French (Subtitled), English (Subtitled), Portuguese (Subtitled), English (Original Language), French (Original Language), Spanish (Subtitled)
Audience Rating :PG (Parental Guidance Suggested)
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Customer Reviews
Rating
DateJuly 01, 2005
Summaryheh........... real funny and cute
Content
This movie was touching and cute. Lots of children and parents will enjoy this movie.

Rating
DateAugust 02, 2003
SummarySweet!
Content
I love Jim Belushi and this is one of my favorite movies of his, it's a cute and sweet comedy about a con artist and an adorable little girl with curly hair. Jim Belushi is great and so is adorable Alisan Porter as Curly Sue.

I wish this sweet movie was on DVD and in widescreen!


Rating
DateDecember 16, 2001
SummaryGreat!
Content
This is a really good film! James Belushi stars as a con-man stuck with a cute little girl with curly hair. In another one of their typical cons, they hit the jackpot. They get taken in by Kelly Lynch, who plays a tough, no nonsense attorney. She lets them stay the night after she hits Belushi with her car and eventually they make their way into her heart as well. Of course, this is a John Hughes film, and they always have an underlying dark theme to them (this film is no exception), but all in all it is a great movie. Little Curly Sue will steal your heart. Want a feel good movie with a happy ending? Voila!

Rating
DateDecember 03, 2001
SummaryThis could have been a great Hughes film!
Content
This is John Hughes's last film (to date) as a director and marks a change in focus from his previous work where he had focussed more on teenagers than small children. The expert view of teenage life given in Sixteen Candles and The Breakfast Club gives way to a rather Hollywood view of cutesy tots. Stage school moppet Alisan Porter is only a short step away from singing 'Tomorrow, Tomorrow' or 'Animal Crackers In My Soup' and both the performance and writing jar somewhat in an otherwise well-made film. Belushi is an amiable anti-hero as the tramp that gets helped out by the mega-rich lawyer, but Kelly Lynch's character is somewhat clichéd. Do lawyers really get paid as much in America as film and television would have you believe? If so, no wonder people dislike them so much.

One thing that amused me is that the central characters of the Con man and little smart-alec adopted daughter are almost identical to those in the film Paper Moon. In fact, this film is more or less an unacknowledged sequel to that story, with the exception that the backdrop of the depressed 1930s gives way to the affluent 1980s.

There is a pretty good musical score here finishing with a great little song from Ringo Starr as the credits roll. It's a sweet film, but would have been better with a different central character.


Rating
DateDecember 03, 2001
SummaryThis could have been a great Hughes film!
Content
This is John Hughes's last film (to date) as a director and marks a change in focus from his previous work where he had focussed more on teenagers than small children. The expert view of teenage life given in Sixteen Candles and The Breakfast Club gives way to a rather Hollywood view of cutesy tots. Stage school moppet Alisan Porter is only a short step away from singing 'Tomorrow, Tomorrow' or 'Animal Crackers In My Soup' and both the performance and writing jar somewhat in an otherwise well-made film. Belushi is an amiable anti-hero as the tramp that gets helped out by the mega-rich lawyer, but Kelly Lynch's character is somewhat clichéd. Do lawyers really get paid as much in America as film and television would have you believe? If so, no wonder people dislike them so much. There is a pretty good musical score here finishing with a great little song from Ringo Starr as the credits roll. It's a sweet film, but would have been better with a different central character.
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