That's Life!
Cast :Jack Lemmon, Julie Andrews
Director :Blake Edwards
Studio :Pioneer Video
Format :Color, Closed-captioned
Released Date :January 01, 1986
DVD Released Date :March 14, 2000
Language :English (Dubbed), English (Original Language)
Audience Rating :PG-13 (Parental Guidance Suggested)
 BUY THIS DVD FROM AMAZON

Customer Reviews
Rating
DateJuly 07, 2005
SummaryI laughed out loud!!
Content
I think to totally enjoy this movie, you need to be 60 or close to it!! It has so much of life little problems that crop up when you suddenly realize you are turning 60!.... and it is good to laugh at life and yourself. My husband and I totally enjoyed it.... and .... That's Life!!


Rating
DateMarch 19, 2005
SummaryGrow up already
Content
Jack Lemmon plays a character who is reaching his 6oth birthday and is convinced he's dying. He becomes sort of a raving spoiled maniac, totally neglecting his long-suffering wife (Julie Andrews) who really IS dying and knows it but keeps it to herself. (Kind of; the ending is a bit of a surprise.) Lemmon's antics seem to go on too long and become tiring, and Andrews's stoicism is a bit too strong to believe. But the movie is effective in spots and is not a total disaster.

Rating
DateJuly 01, 2003
SummaryWill the real Julie Andrews stand up?
Content
Being a Julie fan, I wanted to start collecting some of her movies. This one I didn't have. Upon watching it, I found myself Fast-Forwarding through most of it because of the language (her husband). The movie has a wonderful story behind it but it really bothered me when I heard Julie spoke some language herself in one part of the movie. Definitely not a family movie.

Rating
DateMay 20, 2003
SummaryThat's career murder!
Content
The film starts with a biopsy: A sampling of Gillian Fairchild's (Julie Andrews) tissue shall decide over life or death. The findings won't be ready until monday. It may cost her her voice. She clears her throat, then she puts on lipstick - an outward sign that she has no intention of betraying her feelings. Her husband Harvey (Jack Lemmon) is celebrating his sixtieth birthday this sunday, and, for heaven's sake, he cannot be upset.

Harvey arrives. He is unkempt like a tramp. Self-restraint is not his thing: He doesn't mind if the others take part in his suffering. His garden is well-kept. Plastic-sheep graze on his lawn. But he takes no comfort from his luxurious villa and starts complaining at once. He is vexed that people congratulate him for his birthday, and his clients have no taste. He is plagued by all those infirmities old age has to offer. When his wife dares to argue that he never looked better, he is perplexed: "Are you out of your mind?". He has an amorous impulse - and backs down immediately - there is more that troubles him than just the gout. The food (lobster) is not to his taste and when an obtrusive neighbor (Sally Kellerman) observes Gillian's hoarseness he seizes this as a clue to continue his lamentation.

Their children arrive for the planned birthday party. Emma Walton (Julie's daughter) broke up with her boyfriend, Chris (Jack's son) brings his new girlfriend, and the very pregnant Jennifer Edwards (Julie's stepdaughter) is accordingly nervy. But Gillian proves herself as "mother courage" and responds to all their apprehensions. Meanwhile Harvey runs the gauntlet: His physician and an attractive client who tried to seduce him suggest that he consults a psychiatrist and the priest who confesses him turns out to be an old buddy (Robert Loggia). The "happy" family gathers round the dinner-table. No one makes tabula rasa, they dish out banalities. The camera registers this snapshot from behind closed windows...

Blake Edwards shot his film in his own house at the cost of about $1 million. An actor's strike took place at the time - the blacklegging did not further the careers of those involved. There is something depressing about Edwards' career: A much beloved director during the sixties (he directed Lemmon in DAYS OF WINE AND ROSES and THE GREAT RACE), he fell completely out of fashion, until he landed a big hit with TEN. His immediate reaction was to make SOB, the ultimate that'll-gonna-show-them-film. During those years, his protagonists were only thinly disguised mouthpieces of himself. With THAT'S LIFE he expected the impossible: He pushed his leading actor into icy water and ordered him to improvise. How can you improvise another man's life? The result are some of the most painful moments in Lemmon's career: The abortive seduction scene is embarrassing enough, but wait until you see him trying to bike himself to death on his home-trainer or visit a fortune-teller (his own wife Felicia Farr). She tells him an interesting fairy-tale about his toes. He leaves her tent - but not alone: crablouses are his constant companion from now on. They itch when he is attending the church...THAT'S LIFE may be Lemmon's most suicidal film. It effectively ended his film-career and, except for the funeral-like DAD he did not return to the screen until the early nineties. Julie Andrews, on the other hand, gives one of her most personal, and therefore essential, performances. Edwards' observation on the lives of the idle rich is accurate, but perhaps too close for comfort.


Rating
DateMay 18, 2003
Summarya good movie with some faults
Content
Consider that you just found out that you may have terminal cancer. You won't know for sure for a couple of days so you keep it to yourself so as not to worry your loved ones. The problem is that your loved ones take up those two days with endless complaints about their own lives. That, in a nutshell, is what "That's Life" is all about. It's an interesting movie primarily because of the non-stop monologue of Jack Lemmon. He is almost maniacal at times with his compulsive self-examination and fear of aging. At times it gets overdone: We get the point. The adult children have come home to help Mr. Lemmon celebrate his 60th birthday. They all seem to have their own disfunctions and Dad, in his self-pity, was no help. Thus the mother, excellently played by Julie Andrews, has her hands full.

The problems with this movie center around its' excessiveness. As I mentioned above; we get the point. I realize that Blake Edwards has a good reputation for comedy and I think that there is good comedy in this movie. However, the drama seems to suffer for having too much comedy. The character of the priest, for example, is woefully made to look silly. Other characters seem to be too eccentric. If this is supposed to be a comedy then let me change my rating to two stars. The beauty of this movie is watching someone facing death while burdened by everyone's lesser concerns. The movie loses that focus periodically to its own detriment.

I checked for Oscar nominations for "That's Life" because I wondered if Andrews or Lemmon were nominated. They seemed good enough to be. However, the only nomination was for this awful song at the end. I can't believe that Tony Bennett agreed to sing it. Oh well, the team of Blake Edwards and Henry Mancini requires at least one nomination per collaberation. But boy did they pick the wrong category here!

SuperiorPics.com © 2009