The Emperor's New Clothes | | Cast : | Ian Holm, Iben Hjejle | | Director : | Alan Taylor | | Studio : | Paramount Home Video | | Format : | Color, Closed-captioned, Widescreen | | Released Date : | January 01, 2001 | | DVD Released Date : | December 10, 2002 | | Language : | English (Dubbed), English (Original Language), English (Subtitled) | | Audience Rating : | PG (Parental Guidance Suggested) | | | BUY THIS DVD FROM AMAZON | Customer Reviews
| Rating |     | | Date | March 13, 2004 | | Summary | Sweet and funny... if not a bit slow | Content
 | It's hard to believe that a movie about Napoleon would feature a very thoughtful, character-driven plot, but this movie does and it does so quite beautifully. Having never read the book of the same name, I initially expected a grand tale of Napoleon's return to glory. Soon, however, I saw that would not be the case. Throughout, the movie teases with the prospect of Napoleon's return to glory, and, at times, the slower times anywaym, I found myself hoping for such a turn. The actual plot, however, was much sweeter with many very amusing moments. The story itself, along with the vast majority of the acting, is fabulous. However, like many "small stories," the film drags at times. Try not to let that spoil your enjoyment and you'll find yourself watching a sweet and funny movie. |
| Rating |      | | Date | February 22, 2004 | | Summary | Fascinating take on the life of Napoleon | Content
 | I decided to watch this film only because it starred one of my favorite actors, Ian Holm, who has lended his amazing talents to such films as TIME BANDITS, LORD OF THE RINGS: FELLOWSHIP OF THE RING, LOTR: RETURN OF THE KING, JESUS OF NAZARETH, and KAFKA. For those who never fail to be overwhelmed by the amazing acting skills of this man, you won't be disappointed. He performs the role of Napoleon just as well as he has performed Napoleon previously, or Bilbo Baggins, or a Pharisee, or an evil doctor (as he did in the aforementioned films, respectively). If you're not familiar with the story of Napoleon (I'm not all that familiar with it myself), you'll still be throughly entertained if you're the kind of person who likes a well-developed plot, well-developed and believable characters, and fantastic acting. I'm not an astute enough student of history to be able to say exactly what type of man (at least, in terms of virtue) Napoleon was. I've heard that he was a tragic fallen leader of Europe from some sources. And from others I've heard that he was almost on the same plane as Hitler. But this film - showing his life and mind through the brilliant dramatic acting of Ian Holm - has definitely made me want to study more about what manner of man he really was. |
| Rating |      | | Date | January 31, 2004 | | Summary | Incredible story! | Content
 | What if??? This movie puts a new spin on the life of Napoleon, and what if it is true? This is a must have for anyone interested in History or in a good historical romance. |
| Rating |     | | Date | January 03, 2004 | | Summary | A very amusing film | Content
 | Hard to classify this one; romantic comedy? Farce? Maybe. Ian Holm plays a passably good Napoleon, who, tire of rusticating on St. Helena and wanting to regain his throne, concocts a scheme to dupe his British captors. Partway through the film, this plan is succeeding admirably, even when the plan is marred by a series of accidents. It's almost impossible to tell where "Emperor" is heading, and I don't want to spoil the surprises, so you will just have to take my word that this is a fine, fun, film and Ian Holm, as always, is a joy on screen. Music is by Rachel Portman ("Chocolat") and the direction is tight and intelligent by Alan Taylor. A lot of fun. |
| Rating |     | | Date | December 31, 2003 | | Summary | Charming "What If?" fantasy and love story for grown-ups. | Content
 | I found this a delightful movie and am sorry it had such a limited theatrical release (it only played one week in Austin and I was not able to see it at that time). Thanks be for the DVD, which is crystal clear and in widescreen, although there are no extras. I think your reaction to it might depend on your familiarity with (or sympathy to) Napoleon Bonaparte, Emperor of the French. Those more knowledgeable about his life and career will find more nuances to Ian Holm's characterization and more depth in the story. Others may find this film too slow or mystifying. For my part, and as an admitted sympathetic Bonapartist -- Napoleon was a great man in every sense of the word, with great failings as well as great skills and sometimes even virtues -- this film grows on me with every viewing and I keep finding more little gems of detail to treasure.
It's not the ha-ha comedy I initially expected, and perhaps the script could have used a few more humourous scenes, given the potential in the subject matter, but it would not be fair to criticize the movie for not being something it did not set out to be. Napoleon's chance visit to the battlefield of Waterloo, now catering to tourists, is comical in a typically low-key way. The pacing may be too leisurely to some, but this says more about our Hollywood-shaped sensibilities than what director Alan Taylor had in mind. This is not a cookie-cutter, by-the-numbers movie. It's a gentle slice of whimsy and romance made for an audience that can appreciate a movie with no car crashes, machine guns, or bimbos.
The central theme is transformation: can a man remake himself utterly, and in so doing, gain a second chance at happiness? Napoleon the Emperor (a masterful performance by Holm, who is a passable lookalike to the genuine article) begins this movie a very different man than who we see at the end, when Napoleon the Greengrocer "surrenders" at last to an opponent that has bested him -- the kind and good woman who prefers the reality of Eugene Lenormand to the phantom of Napoleon Bonaparte. It is a difficult journey for Napoleon/Eugene to make, and we follow the Emperor's struggle to tame his old ambitions and talents, occasionally harnessing them for a good cause -- his mustering and "battle orders" to the assembled fruit peddlers is a masterful sequence, the old Napoleon of Marengo and Austerlitz, history's greatest soldier, rising one last time to lead his forces to a brilliant victory. But finally, when he is tricked by an adversary into entering a madhouse, he is confronted with the monstrous reality of what he was -- a madman, a creature fit only to be locked up, even as Napoleon himself was caged on an island prison. It is the moment of realization for Napoleon/Eugene, when he recognizes that the desire to be a Napoleon is itself an act of lunacy. Confronted by the enormity of who he once was but need no longer be, he is at last able to make the break and cross over into a new life. He has no throne, but he is now content to rule a smaller kingdom, one with a joy and richness such as he could have never before attained. A thoroughly satisfying ending. L'Empereur est mort; vive l'Empereur! |
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