Mumford | | Cast : | Loren Dean, Hope Davis, Jason Lee | | Director : | Lawrence Kasdan | | Studio : | Touchstone Video | | Format : | Color, Widescreen, Dolby | | Released Date : | September 24, 1999 | | DVD Released Date : | September 03, 2002 | | Language : | English (Dubbed), English (Original Language), English (Subtitled) | | Audience Rating : | R (Restricted) | | | BUY THIS DVD FROM AMAZON | Customer Reviews
| Rating |  | | Date | January 20, 2004 | | Summary | dull and insulting | Content
 | Mumford is a film about a "psychologist" who lives in a small idyllic town, and deals with his patients in a way that seems to annoy them but keeps them coming back. Could it be that Loren Dean happens to look like a model? He also has the charm and acting abilities of a model, which is to say none. Hope Davis steals the show here, although what she was doing in this film is beyond explanation. The film does not let the viewer get deep inside any of the characters, certainly what should be paramount in a film that deals with human nature, love, and anxiety. Instead we are offered a script that is so obvious I imagined a five year old with a crayon scribbling it down during recess before submitting it to the studio. Before you settle down with this film expecting a cozy little vignette about relationships be warned, it is chock full of unnecessary swearing and breast flashing. The review I read likened it to a Frank Capra film; well, you're much better off with the real thing. |
| Rating |    | | Date | February 01, 2003 | | Summary | There's Nothing Special To See In This Movie | Content
 | I've seen a lot of movies in my life, and Mumford is nothing more than just another to add to the list. I don't like it, I don't hate it, and I don't feel any different after having seen it. I hate being so apathetic, but that's just what this movie does to a viewer. This is the story of a pseudo-psychologist named Mumford (Loren Dean) who lives and practices in a town named Mumford. He's not the typical shrink. He'll make you feel bad if he has to, he'll tell you to never come back to his office again, and he'll divulge your inner most secrets to anyone who wants to know them. But in spite of his unprofessional approaches to therapy, the whole town seems to love him. We learn half-way through the movie that he's not really a psychologist at all, and everything this town knows about me is completely fraudulent. He's really a former investigator for the Internal Revenue Service who took a few wrong turns in life and decided to completely relinquish his past and start over in this town. The movie shows him treating several very colorful and interesting patients with some very serious problems before his true identity is discovered, though I won't reveal the consequences he must face in the end. Loren Dean does an adequate job in his performance as a sober-minded psychologist. Though, he's not a terribly gifted actor, and I don't see why anyone would want to give him the lead role in a major movie. Hope Davis, Jason Lee, Alfre Woodard, and Mary McDonnell are also good in their performances as Mumford's patients. I suppose the reason why this movie wasn't very appealing to me was that the plot was too "by the numbers." In fact, there wasn't much of a plot at all. It relies too much of trying to evoke certain feelings or moods from its audience, which just doesn't ever happen. There's enough substance here to keep a viewer engaged for the duration of the movie, but just not enough to evoke emotion. |
| Rating |      | | Date | August 01, 2002 | | Summary | great stuff | Content
 | I'm very impressed how Loren Dean was able to create such a likable three dimensional character in this film. Although the one "villainess" in the town is more or less unexamined, the psyches of the various townsfolk and the main character's exploration of them make for fascinating and insightful fare. Dr. Mumford is a person I would love to know. This movie struck me as one that would be difficult to end without either being disappointing and sad or falsely sweet, and the director/writer struck just the right balance. |
|