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The Go-Go's were the most popular all-female band to emerge from the punk/new
wave explosion of the late '70s and early '80s, becoming one of the first
commercially successful female groups that wasn't controlled by male producers
or managers. While their hit singles -- "We Got the Beat," "Our Lips Are
Sealed," "Vacation," "Head Over Heels" -- were bright, energetic new wave pop,
the group was an integral part of the Californian punk scene. And they did play
punk rock, even if many of their rougher edges were ironed out by the time they
recorded their first album, 1981's Beauty and the Beat. Even as they became
America's darlings, the Go-Go's lived the wild life of rockers, swallowing as
many pills and taking as much cocaine as possible, trashing hotel rooms, and
just generally being bad. More importantly, their earliest music -- now
collected on Return to the Valley of the Go-Go's -- was raw and rocking; it may
not have directly inspired the female alternative rockers and riot grrrls of the
'90s, but it certainly foreshadowed it.
Originally formed in 1978 as the Misfits, the group featured Belinda Carlisle
(vocals), Jane Wiedlin (guitar, vocals), Charlotte Caffey (lead guitar,
keyboards), Margot Olaverra (bass), and Elissa Bello (drums); the group soon
changed their name to the Go-Go's and began playing local parties and small
clubs in California. In 1979, Gina Schock became the group's drummer. During
that year, the band recorded a demo and supported the British ska revival group
Madness in both Los Angeles and England. The Go-Go's spent half of 1980 touring
England, earning a sizable following and releasing "We Got the Beat" on Stiff
Records. An import copy of "We Got the Beat" became an underground club hit in
the U.S., which meant the band was popular enough to sell out concerts, yet they
had a difficult time landing a record contract.
At the end of 1980, bassist Olaverra became ill and had to stop performing; she
was replaced by Kathy Valentine, a guitarist who had never played bass before.
Early in 1981, the Go-Go's signed with IRS Records. Released in the summer of
1981, their debut album, Beauty and the Beat, became one of the surprise hits of
the year, staying at number one for six weeks and selling over two million
copies; "Our Lips Are Sealed" hit number 20 and a re-recorded version of "We Got
the Beat" spent three weeks at number two.
The following year, the group released Vacation. Although it sold well -- the
album made the Top Ten and it went gold, spawning the Top Ten hit single
"Vacation" -- it failed to keep the momentum of the first record. During the
next year the band was unable to perform as Caffey recovered from a broken
wrist. In 1984, the Go-Go's returned with Talk Show, their most musically
ambitious album. While it had two Top 40 hits -- the number 11 "Head Over Heels"
and "Turn to You" -- it failed to even go gold. By the end of the year, Wiedlin
had left the band; the Go-Go's broke up in May of 1985. Belinda Carlisle became
the most successful solo artist, scoring a string of mainstream pop singles in
the late '80s, including the number one single "Heaven Is a Place on Earth." For
a while, Charlotte Caffey was in Carlisle's backing group; she eventually formed
the Graces, who released Perfect View in 1990. Jane Wiedlin recorded two solo
albums and acted in a few films. Wiedlin also organized the group's brief 1990
reunion, where they performed at a benefit for People for the Ethical Treatment
of Animals; they also recorded a version of "Cool Jerk" for their 1990 Greatest
Hits album. The Go-Go's reunited once more in 1994, recording three new songs
for the double-disc compilation Return of the Valley of the Go-Go's; after
recording the songs, the group decided to continue as a full-time unit. In 2000,
they appeared on VH1's Behind The Music series and released an accompanying
best-of album, VH1 Behind The Music: Go-Go's Collection. ~ Stephen Thomas
Erlewine, All Music Guide
Credit: vh1.com
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