The Bostonians | | Cast : | Christopher Reeve | | Director : | James Ivory | | Studio : | Home Vision Entertainment | | Format : | Color, Closed-captioned, Widescreen | | Released Date : | January 01, 1984 | | DVD Released Date : | July 05, 2005 | | Language : | English (Dubbed), English (Original Language) | | Audience Rating : | NR (Not Rated) | | | BUY THIS DVD FROM AMAZON |
Customer Reviews
| Rating |  | | Date | August 18, 2004 | | Summary | "Will you be my friendly friend forever and ever?" | Content
 | Set in 1875, this Merchant-Ivory film focuses on the post-Civil War intellectual community of Boston and Cambridge, bringing to life the suffragist movement, which passionately involved many of its women. Verena Tarrant (Madeleine Potter) is a beautiful and charming young woman who draws large, paying crowds to hear her speak about "the just revolution," which would free women from their second class status. Though Verena describes herself as "only a girl, a simple American girl," her strength as a speaker quickly brings her to the attention of Olive Chancellor (Vanessa Redgrave), an older woman whose dedication to the movement, and eventually to Verena, is single-minded and all-consuming.
When Verena moves in with the overly protective Olive, Olive wants her to promise that she will never marry, but the inevitable happens. Basil Ransom (Christopher Reeve), Olive's cousin, arrives from the south, and is immediately smitten by Verena. Soon Verena must face the conflicts between her loyalties toward Olive and the movement, and her growing love for Basil.
The script by Ruth Prawer Jhabvala, based on the novel by Henry James, brings the passionate commitment of the suffragists to life, and the direction by James Ivory shows the pervasive effects of the movement on both men and women, from Harvard students to elderly matriarchs and pioneering female doctors. The costumes, which were nominated for an Academy Award, and the settings in Boston's Back Bay drawing rooms and shore-side summer homes give a liveliness and reality to the period which James's own intricate, philosophical prose sometimes lacks. Supporting roles by Jessica Tandy, Linda Hunt, Wally Shawn, and Nancy Marchand add power and dramatic intrigue to the emotional tug-of-war for the soul of Verena.
Redgrave won an Academy Award nomination for her role as Olive, a woman whose need for the naive and somewhat simple Verena is overwhelming. Her fear of being left alone, her jealousy of the men who court Verena, and her desire to use Verena to advance her own suffragist message are beautifully acted. Madeleine Potter effectively conveys Verena's innocence, her almost child-like nature, and her growing awareness that she has some freedoms that she has never explored. Reeve, with his southern accent, is a bit difficult to understand at times, and his love scenes with Verena are wooden, lacking the spark which would have made them seem real. A fascinating period piece, the film lacks the philosophical depth of the novel but gains greatly in drama. Mary Whipple |
| Rating | | | Date | July 10, 2002 | | Summary | NOT SO PRIM AND PROPER... | Content
| This is a solid, Merchant-Ivory screen adaptation of the Henry James novel of the same name. Set in the nineteenth century, shortly after the civil war, a young newcomer to the then nascent suffragette movement, Varena Tarrant (Madeleine Potter), captures the hearts of many with her eloquent, passionate oratory on the second class citizenry of women.
Olive Chancellor (Vanessa Redgrave), a wealthy Bostonian, is a patroness of the suffragette movement. Together with her southern cousin, the handsome and strapping Basil Ransom (Christopher Reeve), she goes to hear Varena speak. Both are entranced by Varena, and Olive takes her under her wing, trying to give her the polish she needs in order for Varena to take a prominent place of leadership within the women's movement.
Basil has other plans, as he is smitten. He pursues Varena relentlessly, with the objective of making her his wife and having her assume a traditional role within the framework of marriage. In his way stands Olive, who, though still in the closet, clearly has very strong and passionate feelings for Varena, who seems oblivious to Olive's true desires.
In the meantime, Varena expands her horizons and become a favorite on the lecture circuit. She captures the hearts of many young men along the way, much to Olive's dismay, including that of wealthy, Henry Burrage (Jon Van Ness), who is fully supportive of Varena's participation in the movement. His mother, Mrs. Burrage (Nancy Marchand), is very much aware that Olive is an impediment to the potential union of Henry and Varena. She tries to talk to Olive about a match between the two, only to have Olive immediately take Varena away in response to the threat that Henry poses.
Unfortunately for Olive, her cousin Basil is more persistent. To see who wins this tug of war for Varena's heart, one must see the movie. Vanessa Redgrave, who was nominated for an Academy Award for Best Actress for her portrayal of Olive Chancellor, gives a stunning performance as the sexually repressed, still in the closet, lesbian. Fearsome in her devotion to Varena, she passionately fights tooth and nail, within the constraints of the mores of the time, to keep Varena free of any romantic encumbrances with the opposite sex. Regdgrave does this with a deft touch, giving a beautiful and well-nuanced performance.
Madeleine Potter does the best that she can with the role of Varena, managing to imbue the character with a certain intelligence and sweetness. She lacks, however, the beauty, charm, and winsomeness necessary to convince the viewer that she can so passionately stir the hearts of so many. She also lacks the skill necessary to persuade the viewer see what is, obviously, not there.
Christopher Reed gives a credible, though not show stopping, performance in the role of Basil, Olive's rival for the affections of Varena. Nancy Marchand, on the other hand, gives a superb performance as Mrs. Burrage, the woman who, seeing what Olive is up to, plays a verbal cat and mouse game with her in hopes of having Olive see reason with respect to her son's suit for Varena's hand.
All in all, those who love period pieces should enjoy this one, if only for Vanessa Redgrave's brilliant performance. Unfortunately, this DVD does not offer much of anything by way of special features. It does not even provides a particularly good picture, as it is somewhat grainy in quality. |
| Rating | | | Date | March 14, 2000 | | Summary | I enjoyed this movie | Content
| And compared to the book, it's a rip-roarer. The actress who plays Verena lacks the appeal that would make Olive's and Basil's fascination with her really explicable, and Christopher Reeve's Basil isn't very convincing either. But who cares, he's gorgeous, and the scene where Basil kisses Verena is worth the price of the movie. |
| Rating | | | Date | March 14, 2000 | | Summary | I enjoyed this movie | Content
| And compared to the book, it's a rip-roarer. The actress who plays Verena lacks the appeal that would make Olive's and Basil's fascination with her really explicable, and Christopher Reeve's Basil isn't very convincing either. But who cares, he's gorgeous, and the scene where Basil kisses Verena is worth the price of the movie. |
| Rating | | | Date | February 27, 2000 | | Summary | When will this movie end? | Content
| The Bostonians is based on a Henry James novel and it is just awful. The plot is not interesting and the characters not the least bit engaging. The movie is long and boring. Period. |
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