Sharky's Machine | | Cast : | Burt Reynolds, Rachel Ward | | Director : | Burt Reynolds | | Studio : | Warner Studios | | Format : | Color, Closed-captioned, Dolby | | Released Date : | December 18, 1981 | | DVD Released Date : | November 02, 2004 | | Language : | English (Dubbed), English (Original Language) | | Audience Rating : | R (Restricted) | | | BUY THIS DVD FROM AMAZON |
Customer Reviews
| Rating |  | | Date | June 29, 2005 | | Summary | The Last Good Movie Burt Reynolds Ever Made | Content
 | In January 1982, I was in eighth grade when this movie came out. My school had half-days on Wednesdays, so my friends and I went to see it that afternoon. This was back when Burt Reynolds was still a big star. When a Burt Reynolds movie came out, you dropped everything to go see it: "Smokey and the Bandit," "Hooper," "Cannonball Run," to name a few. This was also the period when Tom Selleck was becoming a big star on TV with "Magnum PI," chiefly on the basis of his resemblance to Burt. There's a story about this movie. Burt Reynolds and Clint Eastwood were longtime friends. When Clint made "Every Which Way But Loose" in 1978, Burt threatened to make "Dirty Harry Goes to Atlanta" if it succeeded. Well, it did, and Burt made this movie. He not only starred in it; he directed. And he did a pretty good world. It's a well done movie, with some good actors in it: Vittorio Gassmann and Henry Silva are great bad guys, while you have some really likeable supporting characters in Bernie Casey, Brian Keith and Richard Libertini. And it didn't hurt the movie that Rachel Ward was drop dead gogeous either. I think this is probably the last decent movie that Burt Reynolds made in a starring role. From here on in, it was a slow descent into Rip Taylor-like hairpieces and clunkers like "Heat," "Malone," and "Physical Evidence." Since then, Reynolds has made a decent return in supporting roles, as did many other former leading men before him. This is not one of the best movies I've ever seen, but it's an enjoyable one that brings back good memories from when I was a kid. And I think that's reason enough to recommend it! |
| Rating | | | Date | August 30, 2003 | | Summary | "Do You Think I'll Live?" | Content
| I have always been a fan of Burt Reynolds. Sure, the guy has made some of the biggest bombs in Hollywood history, such as "Stroker Ace," "Cop and a Half," and several others too painful to mention. When I say I am a fan, I am not necessarily referring to his best known films like "Smokey and the Bandit,"...or "The Longest Yard." I like Reynolds's seedy looking films, those low budget action flicks that look like they cost five dollars to make. "White Lightening," "Heat," and "Gator" are always worth watching. I used to list "Sharky's Machine" as one of Reynolds's best efforts until I watched it again recently for the first time in many years. This 1981 action/thriller should give the viewer the best Reynolds has to offer: he directed it, starred in it, and made sure to assemble a stellar cast including Richard Libertini, Brian Keith, Charles Durning, Rachel Ward, Vittorio Gassman, and Henry Silva. In fact, you will recognize so many faces in this movie that you will start to wonder how Reynolds got all of these guys together without spending his entire budget on salaries. Unfortunately, Reynolds's directorial debut drags in spots due to the inclusion of decidedly non-action elements and slow pacing. "Sharky's Machine" is the film version of a book written by author William Diehl. Reynolds plays Atlanta police detective Tom Sharky, a tough as nails cop attempting to crack down on the city's heroin trade. After a failed drug buy results in the death of an innocent bystander, the department ships Sharky off to the vice department as penance for his reckless heroics. Located in the dingy basement of police headquarters, the vice room is about as filthy as you could imagine. The other police officers consider vice as the bottom of the barrel, and so does Sharky until he uncovers a prostitution ring with links to a gubernatorial candidate... The cast is the main reason to watch "Sharky's Machine." Libertini is a hoot as the scatterbrained Nosh, Durning plays Sharky's supervisor Friscoe with lung shattering intensity, Brian Keith is the always hungry Papa, and Bernie Casey plays the philosophical Arch. Rachel Ward is effective as Dominoe, and Vittorio Gassman oozes his way through the role of crime kingpin Victor. Henry Silva steals the movie as the ominous killer who possesses no scruples whatsoever. Silva was born to play bad guys on the silver screen, and that is what he has done throughout his career, but in "Sharky's Machine" he turns in the performance of a lifetime. It is regrettable that Silva does not get more screen time. Until I rewatched the film, I thought Silva appeared in nearly every scene but that's only because his performance is so over the top that it dominated my memories of the movie. If you watch "Sharky's Machine" for no other reason than Henry Silva's performance, you will still get a thrill out of this movie. With the exception of a few of the characters and a several gritty scenes of violence including chopped off fingers, a gory shotgun blast to the head, and some shootouts, "Sharky's Machine" is a good, not spectacular, movie. I took particular offense with the romantic subplot between Sharky and Dominoe. These scenes seemed to drag on forever, with heavy doses of melodrama piled on top of a mountain of implausibility. Are we really supposed to believe that these two will get together? I recognize that most films always rely on a romance to help propel the narrative, but in a sleazy story like "Sharky's Machine," I want that interaction minimized. Too much emphasis on the relationship between Dominoe and Sharky seriously hampers the flow of this movie. The DVD version is weak, with zero in the way of extras and a full screen picture transfer. How about having Burt Reynolds do a commentary for a widescreen edition? Since Reynolds directed and starred in the film, I am sure his insights would be more than sufficient in explaining the nuts and bolts of the movie. I would secretly appreciate a contribution on a potential commentary track from Henry Silva, but that will surely never happen. If you can stomach the cheesy disco soundtrack and the large injections of romantic interludes, you will probably enjoy watching "Sharky's Machine." At the very least, you get to see Burt Reynolds crack some heads and that is always fun. |
| Rating | | | Date | January 17, 2003 | | Summary | Reynolds comes up with a winner here!! | Content
| Like his pal Clint Eastwood, Burt Reynolds tried his hand at directing & does a pretty good job here, In this he is Sharky, a vice detective who is after a drug & prostitution kingpin played by Victor Gassman, while pursuing the case, he is soon spying on one of Victor's high priced call girls(Rachel Ward), hoping for a lead, but soon begins to be smitten with her, he soon discovers a local politician who is campaigning to be a Senator is involved with not only her, but Victor as well, this complicates things as Victor soon has his deranged coke-addicted brother(Henry Silva in a chilling role) kill what seems to be Ward in an effort to blackmail the Senator into a agreement, it is Ward's friend who is killed instead as Reynolds soon discovers & takes Ward to a safe place where they begin to fall for one another, one of the best scenes is Reynolds confrontation with Victor, in which we see Victor taunt Reynolds in such a way as he tells him that he owns him & the whole police force & Reynolds responding back about how he plans to rid his town of his kind is powerful to say the least, what makes this film work is the realism of it all, with Reynolds as the underdog taking on a big kingpin, who has much power & influence that Reynolds can only trust those close to him as he has his own team of cops to help him, Ward & Reynolds share a unique chemistry & we learn why Victor has such a hold on her, Henry Silva is at his best as Victor's coke-addicted brother who can as a result of his addiction take several gunshots & keep going is chilling, as Reynolds & his team take Silva on, Reynolds proved that he could be more than the "Bandit" here & in the little seen 1985 film "Stick" as well, but his career went south do to personal problems in his personal life, but made a comback in 1997's "Boogie Nights" & should have won on Oscar night, but this one is a good police drama that is rarely seen in today's Hollywood, & should be rereleased in a widescreen format on DVD, but for now, it is a keeper!! |
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