What I'm trying to say is it did treat the subject material well, although obviously it couldn't pack everything which makes us love the book into just two hours. In an adaptation of a book, when you can recognise each character instantly before the character's name is mentioned it's always a good sign - where there's good casting, it's a sign that it's a sensitive adaptation, and this was the case with Tai-Pan. I thought Bryan Brown was very good as Dirk Struan; I'm not Scottish, so I couldn't tell that his accent was as fake as many others seem to think it.

I can see how those who haven't read the book would find it laughable, though, because due to the compression of the plot you don't really get to know the characters and understand their motivations from scratch. Some of Clavell's magnificent dialogue from the book might sound weird in the show, or lacking in punch, for those without a prior acquaintance of the book, because of this lack of emotional set-up. That's why I think it's best for those who have read the book, who already know the characters and can watch them fully-fledged, so to speak, as the show doesn't spend time introducing the audience to the characters.

Perhaps the reason that fans of James Clavell's books are so vociferous in their criticism of this show, sometimes, is because they are acclimatised to splendid, detailed and heartfelt adaptations of so many of his other books - the Shogun mini-series, the Noble House mini-series and the King Rat film. Why, Clavell fans are really so fortunate already when it comes to screen adaptations! :) If we lowered our expectations a little, we'd see that Tai-Pan, too, is not that bad a treatment of the book at all!