South of Heaven, West of Hell | | Cast : | Billy Bob Thornton, Luke Askew | | Director : | Dwight Yoakam | | Studio : | Vidmark/Trimark | | Format : | Color, Closed-captioned, Widescreen, Dolby | | Released Date : | January 01, 2000 | | DVD Released Date : | October 15, 2002 | | Language : | Spanish (Subtitled), English (Dubbed), English (Subtitled), French (Subtitled) | | Audience Rating : | R (Restricted) | | | BUY THIS DVD FROM AMAZON | Customer Reviews
| Rating |      | | Date | May 16, 2005 | | Summary | Old West With A New Twist | Content
 | Having read the negative reviews prior to viewing this movie, I came into it expecting the worst. What a great pleasure it was to discover an amazing film, superb casting and acting with such an interesting, unique story line. I am astonished at what was accomplished with such tight time and financial constraints. It would have been fascinating to have seen what could have been done had there been more time and money available. The film locations were captured with the skill of Rembrandt, light and color painting beautiful works of art.
As to the superficial comments regarding Dwight Yoakam's need to keep his hat on, I am a girl who likes her fellas with a generous topknot, but I think he looked just ducky with or without his hat.
I honestly don't get what all the whining is about regarding this movie. It's a western. It's a ghost story. That combination alone should be the first clue that this isn't your typical cowpoke flick. Yes, there are discontinuities, those are common in most films. Some things are beyond reality, as is typical with most any western ever made. Having seen a few of Mr. Yoakam's great, wildly creative music videos, I admire his restraint regarding SofHWofH.
To me, it is simply a modern male view of how the west was at the turn of the century, with the mysterious 'ghostly' undercurrent to keep it all unbalanced and interesting, peppered with the absurdity of reality. There are also undercurrents of the Cain and Abel story with envy of Mr.Yoakam's character by the character played so well by Vince Vaughn. (I would have loved to have worked on storyboards for this, or in any other capacity for that matter, I'd be proud to claim I had some part in this film) Mr. Yoakam had his hands full with multiple creative endeavours on this movie, yet his natural and believable characterization of Val is a credit to his wide ranging artistic visions. Brilliant.
Granted, there was a whole lotta killin', a generous slathering of TNT and predictable gratuitous female nudity, but hey, it's a MOVIE, it's MAKEBELIEVE. It's great. |
| Rating |   | | Date | September 29, 2003 | | Summary | Beautifully photographed, that's about it... | Content
 | I love Dwight Yoakam's music and songwriting, he's surely one of the best singer/ songwriters out there but I think he should leave the screenwriting to professional screenwriters. This film looks beautiful, but the plot leaves a lot to be desired and the dialogue is often very dull. Dwight has some positives in this, as bad as it is. For instance, he looks great on a horse, but he looks uncomfortable in front of the camera here, which is unusual for him, given his other movies. The characters are interesting enough, but not given enough development that we can see. I don't think Dwight should give up directing entirely, but I would not recommend seeing this. |
| Rating |    | | Date | September 24, 2003 | | Summary | South of Coherence, West of Logic | Content
 | Dwight Yoakam, accomplished country/western singer, loves movies. He has appeared, as an actor, in over a dozen films. On this film, Yoakam functioned as writer, co-producer [with Buck Owens], director, star, and of course, he worked on the musical score as well. This would be quite a feat for the most accomplished of movie stars, which Mr. Yoakam is not. He can be very effective as an actor, when directed properly, as in "Sling Blade" and "Panic Room". He is a better actor than Johnny Cash was, or Merle Haggard; certainly as good as the icon known as Willie Nelson. This film is so bad, it is almost good. It is so different, so off-center, so oblique, that it challenges the audience. The cinematography, by James Glennon, is lush; images bathed in dust and golden light, drenced in blood-red sunsets and shimmering mirage riders, ghost-like apparitions. I think it is admirable that Yoakam had enought influence, enough money, enough good friends, and enough ego to launch this dark confused tale. But, alas, it does not emerge as eclectic as Jim Jarmusch's mini-classic,"Dead Man". We all love a western, and Yoakam can be applauded for purposefully breaking down many of the cliches of the genre. Next time though, sir, please procure blanks for your handguns that do not sound like cap pistols. The movie has been called self-indulgent, and it is; tedious, even egregious. Actually, what it is remains closer to a labor of love falling leagues short of coherence. It was poorly written. Without strongly defined characters, clear conflicts, and fully-realized conclusions, we struggle as viewers. At times, the film becomes too esoteric; like Dennis Hopper's "The Last Movie", one suspects the cast had fun doing it, but where's the fun in watching it ? No one wants a film to fail. We search for those tiny nanoseconds that elevate, entertain, and enlighten us. The movie is populated by bizarre characters portrayed by a bevy of terrific actors. Yoakam, as U.S.Marshall, Val Casey, is at ease in front of the camera; but Val comes off as shallow posturing. Where is the anger, inner strength, and passion ? Several times in the semblence of a plot it is mentioned that an official government letter exists, and in it is the information that Valentine Casey was deceased; that he had died in Cuba in the Spanish-American war. When confronted with this conundrum, Val just stares wistfully toward the horizon. So, as an undercurrent, we wonder if Val is really an avenging spirit, or if the whole movie represents a nightmarish dream ? Joe Unger, as the outlaw Nogales, makes a strong impression, finding a real person within the absurdity of the script. Billy Bob Thornton, Peter Fonda, Matt Clark, and Bo Hopkins, sleepwalk through their brief scenes, lending their visage and names to the project. Bridget Fonda, as Adelyne, is credible, considering her character is written incoherently. The Henry Clan are the heavies. They are led by Luke Askew, astride a primitive wheel chair, spouted biblical platitudes, manning a machine gun mounted on his wagon, and finding time to bugger his daughter. Vince Vaughn cuts a wide swath as Taylor Henry, the most lethel of the bunch; killing without remorse, ice-blooded and stone-faced. Comic relief is provided with the bawdy flavor of Shakespeare; down, dirty, and bloody. Bud Cort is dipped in [foul stuff], stripped, humiliated, beaten, and shot. Paul Reubens, as Arvid Henry, seethes like a [unique] gunslinger, bouncing about like a Marx brother; murdering, [abusing], stealing,... Michael Jeter, as the uncle, gets to whine, beg, howl, cajole, and [be abused],... Terry McIlvain, as Val's sidekick, U.S.Christmas, is costumed in a colorful skirt, like a South American gaucho, and he makes the most out of his screen time. ...this one could become a cult classic. |
| Rating |      | | Date | May 19, 2003 | | Summary | The Best Western Since Pale Rider | Content
 | Easily the best western since Pale Rider. As a 26 year old non-country boy, the only other westerns I considered worthwhile were those of Sergio Leone and anything shoot-em-up with Clint Eastwood, pre-Unforgiven days... Dwight Yoakam serves up a fine dish of honky-tonk, gunfighting, and even raunch in a western that plays more like a documentary than fiction. Not in the boring ... documentary fashion, but in a way of life, be it low or otherwise. This movie is original, intelligent, and puts any later western to shame, including Young Guns, its sequel, Unforgiven, or Posse. Those who claim there is no plot are obviously not paying attention to a film they decided to critique. |
| Rating |  | | Date | March 19, 2003 | | Summary | It is an insult to bad movies to claim this is one of the... | Content
 | WORST of all time....but sadly, that is an understatement. Now I know why Dwight Yoakum hid out under that hat all those years....he's bald! Match that with his Barney Fife frame and he cuts one intimidating figure as a "good guy" Marshall who didnt buy into his family's whole death and dismemberment gig. Billy Bob Thornton's impression of Courtney Love is uniquely weird. And I used to think Vince Vaughn was cool...well, I got news for you Vince, maybe it's time for Swingers VI? I keep asking myself how so much talent could lend itself to such a historically awful movie. Well, blame Dwight. Maybe somebody a little higher up on the macho scale could have pulled this off, say somebody like Liberace or Truman Capote? Except for the features torturous 133 minutes, all in all a good DVD. Lots of extras, good soundtrack, commentary, deleted scenes too if you find yourself all that curious about this thing. |
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